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My art is a hybrid of the figurative and the abstract.The satire and cartoon imagery of my youthful artwork began to evolve as I grew more familiar with German Expressionism, American Social Realism and Abstract Expressionism. The sketches of people drawn from life that I do almost daily provide constant fodder for my humorous paintings, drawings and prints. My work is a synthesis of humor and fine art. I am quite serious about being silly. My goal is to create art that is sown from the depths of comic outrageousness, satirical observation and mild misanthropy. If Matisse had the “sun in his belly," I have a banana peel permanently attached to my shoe!
Ellen Lana Abraham
Ellen Lana Abraham

My art is a hybrid of the figurative and the abstract.The satire and cartoon imagery of my youthful artwork began to evolve…

My art is a hybrid of the figurative and the abstract.The satire and cartoon imagery of my youthful artwork began to evolve as I grew more familiar with German Expressionism, American Social Realism and…

My art is a hybrid of the figurative and the abstract.The satire and cartoon imagery of my youthful artwork began to evolve as I grew more familiar with German Expressionism, American Social Realism and Abstract Expressionism.…

Lorraine Glessner is an InLiquid member
Lorraine Glessner
Lorraine Glessner

Lorraine Glessner is an InLiquid member…

Lorraine Glessner is an InLiquid member…

Lorraine Glessner is an InLiquid member…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

Nancy Kress is an InLiquid artist member.
Nancy Kress
Nancy Kress

Nancy Kress is an InLiquid artist member.…

Nancy Kress is an InLiquid artist member.…

Nancy Kress is an InLiquid artist member.…

"The forms from nature that I have drawn from for these sculptures are taken from insect life-segmented, hard shelled bodies, robotic and armor coated, yet able to instantly take flight. The large scale of these otherwise small creatures comes from reality and fantasy of the prehistoric world."
John W. Parker
John W. Parker

"The forms from nature that I have drawn from for these sculptures are taken from insect life-segmented, hard shelled…

"The forms from nature that I have drawn from for these sculptures are taken from insect life-segmented, hard shelled bodies, robotic and armor coated, yet able to instantly take flight. The large…

"The forms from nature that I have drawn from for these sculptures are taken from insect life-segmented, hard shelled bodies, robotic and armor coated, yet able to instantly take flight. The large scale of these otherwise…

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