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Swirling, serpentine and sinuous, the still lifes in Zeuxis’ latest exhibition, “Composing in the Key of S,” take inspiration from the dynamic compositions of various traditional masters. Can the elements of a still life take flight in the manner of a Turner, Chardin or Titian? If so, nature morte would become nature animée.
Like each of Zeuxis’ numerous previous exhibitions, “Composing in the Key of S” takes shape around a particular topic. This shared theme allows the practiced painters of Zeuxis, with their highly divergent approaches, to bring their work into fascinating conversation.
Philip R. Jackson
Richard La Presti