Inspiration From The Outside In

According to Krista Dedrick Lai, one of the exhibiting artists of InLiquid’s newest exhibition, Inside Out, “to me, the thirty-five-minute naps became representative of the fragmented nature of time in early parenthood,” when talking about how her free time became segmented into small chunks, to which her art-practice would have to adapt to. Her Napscapes series shows her imagination on fire during the limited period of time she gave herself to create works.

Napscape 19 by Krista Dedrick Lai

This is just one example of the premise of The InLiquid Gallery’s newest installment, Outside In, an exhibition about the definitive outside influences to an artist’s practice. From emigrating to the United States, to painting while being a new mother, the circumstances and constraints of an artist’s experience and environment can profoundly affect how, when, and why art is made. 

Márton Szabó’s work reflects on his first impressions of moving to Philadelphia from Budapest. One of his paintings is an early portrait of his Philadelphia friend, Ed, at a backyard party. “A little girl, Hanna, created something from everybody’s hair–Ed got a little ‘brush'”. Another portrait on display is of the ever-so-famous “Philly Jesus”— the first encounter of Szabó’s during the Democratic National Convention. 

Ed by Márton Szabó

Other artists exhibiting include Alice Gonglewski, Eli Smith, and János Korodi. Outside In is also the second-half of a two-part exhibition. Inside Out, the first exhibition was about artists returning to a place of familiarity to guide their compositions. Outside In reflects what artists had to adapt to during moments of change.

The exhibition opens on May 10th, during Crane Arts Second Thursday event. Click here to join us!

Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

Summer J. Hart

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations…

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations out of hand-cut Tyvek—a nonwoven material most familiar as an insulating…

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations out of hand-cut Tyvek—a nonwoven material most familiar as an insulating wrap used in the construction…

Barbara Shelly

I Found My Voice Through Art. As women in a patriarchal society, we often stick to our roles until we can’t anymore. WE WAKE…

I Found My Voice Through Art. As women in a patriarchal society, we often stick to our roles until we can’t anymore. WE WAKE UP! We feel different. The world looks like a different place. We breathe…

I Found My Voice Through Art. As women in a patriarchal society, we often stick to our roles until we can’t anymore. WE WAKE UP! We feel different. The world looks like a different place. We breathe the air like it wasn’t…

Deborah Caiola

By enabling the viewer to experience the emotional reality of the subjects Deborah Caiola paints, she attempts to challenge…

By enabling the viewer to experience the emotional reality of the subjects Deborah Caiola paints, she attempts to challenge assumptions and mainstream beliefs, and celebrate that which unites us as humans.…

By enabling the viewer to experience the emotional reality of the subjects Deborah Caiola paints, she attempts to challenge assumptions and mainstream beliefs, and celebrate that which unites us as humans.…

Cara Susanne Roberts

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was introduced to a mixed…

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