Paula Mandel: Interactive Artifacts

Machinations, Paula Mandel

Intertwining glass with fabric, wood, and a vast array of found objects, Paula Mandel’s mixed media sculptures take shape as physical emblems of the subconscious world. Mandel compares her work to “symbolic toys” ironically calling out to be played with despite their material delicacy and one-of-a-kind singularity. Indicative of more than just her artistry as a glass technician, Mandel’s work envelops the fading practicality of ancient objects with a sense of newfound mystique and imaginative wonder.

Each “toy” brings with it an intricate history enclosed in the more recognizable image of a familiar relic. Mandel’s Machinations is reminiscent of a dream in the way it softens the unlikely combination of a nest, a beehive, and a bundt pan with something traditionally functional, a guitar. The symbolism that echoes between Mandel’s pieces and the world they all occupy aids in rebounding from the esoteric and manifesting instead, a chance for self-reflexive discussion. The many components involved in Mandel’s work operate as active factors that play out within contained worlds or reenacted scenarios. In this sense, Mandel’s “toys” are also playful in the way they negotiate specific language and become mechanisms for discreetly confronting heavy subject matter. The Threat That Binds us presents two portraits encased in a box adorned with sewing pins and fabric. The title of the piece replaces the lighthearted word we might expect, “thread,” with the additional edge of the more unsettling word “threat.” Sunrise Sunset also vivifies contrasting descriptions, though with a slight touch of humor, replicating both the enchanting moments of the night and the laborious hours of the day in the entrapment of watch parts and sunset paintings inside an outdated butter churner.

Sunrise Sunset, Paula Mandel

Conceptualizing individual parts in relation to a finalized and manipulated whole appears intrinsic to Mandel’s creative process, especially when considering that her kiln-cast technique involves filling molds with crushed glass that only becomes solid sculpture after it fires in the kiln. To build a more painterly effect, Mandel layers glass together at low heat, a setting in which colors conjoin and collaborate in unpredictable ways. The interactive presence of these pieces is multifold, given that they can recall memories of the past while simultaneously, like a childhood toy, they can propose a means of exploring alternative fantasies and resolutions. Such explorations are unlimited by a rigidly defined body or temporal breadth, as they welcome experimentation and inspire reevaluation. 

Dressing Room, Paula Mandel

Dressing Room brings societal insecurities to the stage, stringing different miniature body parts onto an abacus as if to poke fun at the constant assessment and game of questioning that pressures the body to change. Similarly creating a sanctuary for mindful rumination, Insight (Hazak) Chair is decorated with a deconstructed clock that notably lacks its usual ticking hands. It exists in a makeshift moment of frozen time where the imagination is free to disassociate from what is known and engage more with what could be and what may still come. 

Recycling past paraphernalia into uncanny creations, it appears as though Mandel’s work voyages across time while wistfully catching glimpses of an intangible and fluctuating present. View more of Paula’s works on her InLiquid page!

Han Wang
Han Wang
Leslie Atik
Leslie Atik
I was a choreographer and modern dancer for most of my life. It is the balance between energy and stillness that I carry into my art. I reflect this discord in a gesture and painterly contemporary style. I use a variety of media to create a raw, yet, luminous painting in oil, layering pastels, glazes, pencil, charcoal, and develop painted collages of varying surfaces. I create paintings directly from a model's pose and the subtle nuances of that gesture. I paint in a realistic approach, and yet, abstraction tends to take over. I have had an extensive career teaching art to students of all levels and ages. My teaching is an integral part of my art making process.
Nancy E. F. Halbert
Nancy E. F. Halbert

I was a choreographer and modern dancer for most of my life. It is the balance between energy and stillness that I carry…

I was a choreographer and modern dancer for most of my life. It is the balance between energy and stillness that I carry into my art. I reflect this discord in a gesture and painterly contemporary style.…

I was a choreographer and modern dancer for most of my life. It is the balance between energy and stillness that I carry into my art. I reflect this discord in a gesture and painterly contemporary style. I use a variety of…

City Landscapes that bring illuminated images of the past buildings and invisible history and juxtaposed them with the current images of the city and the new developments to create mystified urban environments.
Maria R. Schneider
Maria R. Schneider

City Landscapes that bring illuminated images of the past buildings and invisible history and juxtaposed them with the current…

City Landscapes that bring illuminated images of the past buildings and invisible history and juxtaposed them with the current images of the city and the new developments to create mystified urban environments.…

City Landscapes that bring illuminated images of the past buildings and invisible history and juxtaposed them with the current images of the city and the new developments to create mystified urban environments.…

Kristin Osgood Lamelas’ mixed-media paintings reference aerial views of specific landscapes and images of cells from her own body, creating a micro/ macro relationship.
Kristin Osgood Lamelas
Kristin Osgood Lamelas

Kristin Osgood Lamelas’ mixed-media paintings reference aerial views of specific landscapes and images of cells from her…

Kristin Osgood Lamelas’ mixed-media paintings reference aerial views of specific landscapes and images of cells from her own body, creating a micro/ macro relationship.

Kristin Osgood Lamelas’ mixed-media paintings reference aerial views of specific landscapes and images of cells from her own body, creating a micro/ macro relationship.

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