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Sociological, figurative oil paintings of crowds by Philadelphia artist Mary Henderson.
Mary Henderson
Mary Henderson

Sociological, figurative oil paintings of crowds by Philadelphia artist Mary Henderson.…

Sociological, figurative oil paintings of crowds by Philadelphia artist Mary Henderson.…

Sociological, figurative oil paintings of crowds by Philadelphia artist Mary Henderson.…

Patricia Dusman's abstract paintings use rich colors and textures to convey a connection between the minds inner thoughts and landscapes of the naturals environment.
Patricia Dusman
Patricia Dusman

Patricia Dusman's abstract paintings use rich colors and textures to convey a connection between the minds inner thoughts…

Patricia Dusman's abstract paintings use rich colors and textures to convey a connection between the minds inner thoughts and landscapes of the naturals environment.…

Patricia Dusman's abstract paintings use rich colors and textures to convey a connection between the minds inner thoughts and landscapes of the naturals environment.…

Brenda Denise Howell
Brenda Denise Howell
Miriam Singer's drawings look perceptually at multiple locations in Philadelphia and are then worked through memory, eventually becoming a fictional cityscape created with a playful approach.
Miriam Singer
Miriam Singer

Miriam Singer's drawings look perceptually at multiple locations in Philadelphia and are then worked through memory, eventually…

Miriam Singer's drawings look perceptually at multiple locations in Philadelphia and are then worked through memory, eventually becoming a fictional cityscape created with a playful approach.…

Miriam Singer's drawings look perceptually at multiple locations in Philadelphia and are then worked through memory, eventually becoming a fictional cityscape created with a playful approach.…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

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