Collage

Collage

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for viewers, but the essence of the elements and ambiguity demand individual interaction with each painting. Layering is both revealing and concealing, creating a balanced tension and suspension which is really what painting is for me. I use the elements to speak for me and I wish to open doors to new dialogue within and between viewers.
Kelly Gadsby

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for…

Allen Spencer & Deborah Imler
Kristin Schattenfield-Rein’s latest work mixes natural elements with unnatural and man-made mediums to explore the six states of existence between death and rebirth.
Kristin Schattenfield-Rein

Kristin Schattenfield-Rein’s latest work mixes natural elements with unnatural and man-made mediums to explore the six states…

Kristin Schattenfield-Rein’s latest work mixes natural elements with unnatural and man-made mediums to explore the six states of existence between death and rebirth.…

Kristin Schattenfield-Rein’s latest work mixes natural elements with unnatural and man-made mediums to explore the six states of existence between death and rebirth.…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images. There is a compelling irony as I create symbolic toys, which ask to be touched and manipulated, from glass, an extremely fragile material. I manipulate glass, recycle and integrate it with well-worn artifacts from the past, which are often perceived as useless in today's culture. This gives discarded items renewed purpose. As we interact tentatively with these objects they take us back to our most early memories while connecting us to other societies and eras.
Paula Mandel

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images.…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images. There is a compelling…

Francesca Costanzo is a multi media artist in Philadelphia who uses her art as a form of journalism in order to change public opinion.
Francesca Costanzo

Francesca Costanzo is a multi media artist in Philadelphia who uses her art as a form of journalism in order to change public…

Francesca Costanzo is a multi media artist in Philadelphia who uses her art as a form of journalism in order to change public opinion.…

Francesca Costanzo is a multi media artist in Philadelphia who uses her art as a form of journalism in order to change public opinion.…

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