‘s Djúpalónssandur Three will be on show at Site:Brooklyn’s Landscape: Real and Imagined

Joyce Barker Schwartz
Joyce Barker Schwartz
My work is primarily in oils and focuses on urban street scenes and still life settings made up of vintage housewares and toys.  I am interested in all things old as I believe they have the most interesting stories to tell.  Buildings and objects from the past both bring back memories for those who have previously interacted with them, and discovery to those seeing them for the first time.  I work in a contemporary realist style, looking to bring to attention the beautiful design elements that already exist in the subjects that I paint.
Jean Broden
Jean Broden

My work is primarily in oils and focuses on urban street scenes and still life settings made up of vintage housewares and…

My work is primarily in oils and focuses on urban street scenes and still life settings made up of vintage housewares and toys. I am interested in all things old as I believe they have the most interesting…

My work is primarily in oils and focuses on urban street scenes and still life settings made up of vintage housewares and toys. I am interested in all things old as I believe they have the most interesting stories to tell.…

Danny Simmons
Danny Simmons
My artwork talks quietly about the underlying significance of the domestic sphere on artist production. It argues for the relevance of craft, specifically ceramics and fiber arts, by creating a conversation between the two mediums. Displaying a fascination with the way fiber marks clay, my ceramics exhibit just how subtle those marks can be.
Jennifer Johnson
Jennifer Johnson

My artwork talks quietly about the underlying significance of the domestic sphere on artist production. It argues for the…

My artwork talks quietly about the underlying significance of the domestic sphere on artist production. It argues for the relevance of craft, specifically ceramics and fiber arts, by creating a conversation…

My artwork talks quietly about the underlying significance of the domestic sphere on artist production. It argues for the relevance of craft, specifically ceramics and fiber arts, by creating a conversation between the two…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece to the viewer . . . no matter
what materials I use is all important.
I use titles to emotionalize these abstract
pieces to help communicate a connection
between the individual and
the universal whole.

In the metal pieces I use recycled aluminum
printing press plates which I sand,
cut and glue onto wood panels, they are
about energy and light, patterns and
motion, all influenced by the microcosm
of life forms, biology, and a
hint of satire.
Dolores Poacelli
Dolores Poacelli

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece…

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