Judy Caldwell and Leah Macdonald will be showing at Cerulean Arts Collective Members’ Exhibitions from November 7- December 2, 2018.

and  will be showing at Cerulean Arts Collective Members’ Exhibitions from November 7- December 2, 2018.

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for viewers, but the essence of the elements and ambiguity demand individual interaction with each painting. Layering is both revealing and concealing, creating a balanced tension and suspension which is really what painting is for me. I use the elements to speak for me and I wish to open doors to new dialogue within and between viewers.
Kelly Gadsby
Kelly Gadsby

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for…

Joseph Labolito's images are a portrait of a city that he loves. He has photographed the people, places and things in Philadelphia in the 80s and 90s.
Joseph V. Labolito
Joseph V. Labolito

Joseph Labolito's images are a portrait of a city that he loves. He has photographed the people, places and things in Philadelphia…

Joseph Labolito's images are a portrait of a city that he loves. He has photographed the people, places and things in Philadelphia in the 80s and 90s.…

Joseph Labolito's images are a portrait of a city that he loves. He has photographed the people, places and things in Philadelphia in the 80s and 90s.…

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate I changed my painting method and style. It is an abstraction using crosshatching, a technique usually reserved for rendering form and depth I have created an abstract flat image more akin to topography verging on minimalism. The linear hatch marks are made on a matte gradiated background which focuses the viewer on the duality of surface and color. These works are a meditation on labor and time: of coming together and the borders that separate us. The marks are not only creating an aesthetic pattern they are literally the marking of art, and the work that has gone into the piece.
Brian Palmieri
Brian Palmieri

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate…

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate I changed my painting method and style. It is an abstraction using crosshatching,…

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate I changed my painting method and style. It is an abstraction using crosshatching, a technique…

JaySquid (Jamin Guinyard)
JaySquid (Jamin Guinyard)
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