Artists at InLiquid Blick Demos

, and  will be demonstrating techniques at Blick’s Saturday Demos happening September 22, 23, 29, and 30th, 2018.

Sculptor Morgan Dummitt was born and raised in Manhattan, where he began studying the figure in 2005 at the Art Students League of New York. In 2013 he earned a certificate in sculpture from the Pennsylvania Academy of the Fine Arts and a Bachelor's of the Fine Arts from the University of Pennsylvania.
Morgan Dummitt
Morgan Dummitt

Sculptor Morgan Dummitt was born and raised in Manhattan, where he began studying the figure in 2005 at the Art Students…

Sculptor Morgan Dummitt was born and raised in Manhattan, where he began studying the figure in 2005 at the Art Students League of New York. In 2013 he earned a certificate in sculpture from the Pennsylvania…

Sculptor Morgan Dummitt was born and raised in Manhattan, where he began studying the figure in 2005 at the Art Students League of New York. In 2013 he earned a certificate in sculpture from the Pennsylvania Academy of the…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

Diane Szczepaniak
Diane Szczepaniak
Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance she feels when working with the saturated colors in her painting. She is fascinated by the spatial dimensions, which can develop through the relationship of colors.
Su Knoll Horty
Su Knoll Horty

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance…

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance she feels when working with the saturated colors in her painting. She is…

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance she feels when working with the saturated colors in her painting. She is fascinated by the…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece to the viewer . . . no matter
what materials I use is all important.
I use titles to emotionalize these abstract
pieces to help communicate a connection
between the individual and
the universal whole.

In the metal pieces I use recycled aluminum
printing press plates which I sand,
cut and glue onto wood panels, they are
about energy and light, patterns and
motion, all influenced by the microcosm
of life forms, biology, and a
hint of satire.
Dolores Poacelli
Dolores Poacelli

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece…

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