Caitlin McCormack at Arch Enemy Arts

Annie Stone

Annie Stone cuts out images and uses a unique technique to attach them to each other, interweaving them in a way that creates…

Annie Stone cuts out images and uses a unique technique to attach them to each other, interweaving them in a way that creates shapes independent of any background.…

Acrylic and watercolor grids and overlapping lines, gestured brush strokes and bold color are the first impressions when seeing the new work by Patricia Ingersoll. Ingersoll continues her studies of the merging of organic and geometric elements in nature and how they compare and contrast with the human condition. Her explorations of subjects found in nature, such as water, dense woods, vines, plants introduces challenges in the process of deconstructing the pictorial plane, or breaking it apart, in order to reconstruct it as individual, but equal parts. Through this process of mapping and diagramming with line, she is exploring and recording where these elements intersect pictorially.

Patricia Ingersoll

Acrylic and watercolor grids and overlapping lines, gestured brush strokes and bold color are the first impressions when…

Acrylic and watercolor grids and overlapping lines, gestured brush strokes and bold color are the first impressions when seeing the new work by Patricia Ingersoll. Ingersoll continues her studies of the…

Acrylic and watercolor grids and overlapping lines, gestured brush strokes and bold color are the first impressions when seeing the new work by Patricia Ingersoll. Ingersoll continues her studies of the merging of organic…

Brent Crothers

D’nae Harrison

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I do not strive to recreate the particulars of places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.

Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…