Caitlin McCormack Solo Show at Hashimoto Contemporary

Caitlin McCormack‘s solo exhibition, Granny, opens on October 5th at Hashimoto Contemporary in San Francisco. The show runs from October 5th thru October 26th.

Linnie stumbled upon mixed media 8 years ago at local art workshop. Mainly self-taught, she considers herself a "naïve" or "outsider" artist.
Linnie Greenberg
Linnie Greenberg

Linnie stumbled upon mixed media 8 years ago at local art workshop. Mainly self-taught, she considers herself a "naïve" or…

Linnie stumbled upon mixed media 8 years ago at local art workshop. Mainly self-taught, she considers herself a "naïve" or "outsider" artist.…

Linnie stumbled upon mixed media 8 years ago at local art workshop. Mainly self-taught, she considers herself a "naïve" or "outsider" artist.…

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities. Currently she works in her studio in Philadelphia, where she belongs to the 3rd Street Gallery, a co-operative which she supports. In the 70's she was a founding member of an artists co-op in NYC. Her work is abstract, both in painting and drawing. They sometimes combine in mixed media with collage. These works may include fragments from the collection of memorabilia in her studio. Her work has been influenced by travel, Morocco, Mexico, and repeated trips to Japan and Europe
Marjorie Grigonis
Marjorie Grigonis

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities.…

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities. Currently she works in her studio in Philadelphia, where she belongs to the 3rd…

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities. Currently she works in her studio in Philadelphia, where she belongs to the 3rd Street Gallery, a…

Art that playfully employs found images, biomorphic shapes, photo transfer and collage in somewhat surreal, abstracted landscapes/cityscapes, enriched with various media such as water color, acrylic, and colored pencil. Nature is a source of joy and also concern.
Rosalind Bloom
Rosalind Bloom

Art that playfully employs found images, biomorphic shapes, photo transfer and collage in somewhat surreal, abstracted landscapes/cityscapes,…

Art that playfully employs found images, biomorphic shapes, photo transfer and collage in somewhat surreal, abstracted landscapes/cityscapes, enriched with various media such as water color, acrylic, and…

Art that playfully employs found images, biomorphic shapes, photo transfer and collage in somewhat surreal, abstracted landscapes/cityscapes, enriched with various media such as water color, acrylic, and colored pencil. Nature…

Gina Michaels explores the structural and emotional relationship between humans and plants.
Gina Michaels
Gina Michaels

Gina Michaels explores the structural and emotional relationship between humans and plants.…

Gina Michaels explores the structural and emotional relationship between humans and plants.…

Gina Michaels explores the structural and emotional relationship between humans and plants.…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

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