Emily Squires Levine Solo Show

EMILY SQUIRES LEVINE: Embracing Color/Polymer Clay, a solo show of Emily‘s work, will be on exhibit at the Hunterdon Art Museum in Clinton, NJ, January 12 – March 1, 2020.

Opening reception and artist talk: Sunday, January 12, 2020, 2:00 – 4:00 pm.

Amy Cousins
Amy Cousins
Leslie Atik
Leslie Atik
Brooke Lanier creates colorful, detailed, meditative watercolor and oil paintings of interactions between nature and architecture.  They combine elements of figurative and abstract painting.
Brooke Lanier
Brooke Lanier

Brooke Lanier creates colorful, detailed, meditative watercolor and oil paintings of interactions between nature and architecture.…

Brooke Lanier creates colorful, detailed, meditative watercolor and oil paintings of interactions between nature and architecture. They combine elements of figurative and abstract painting.…

Brooke Lanier creates colorful, detailed, meditative watercolor and oil paintings of interactions between nature and architecture. They combine elements of figurative and abstract painting.…

Jennifer Adele Zwilling is an independent curator and educator actively exploring both the contemporary and historical creative life of Philadelphia.
Jennifer Zwilling
Jennifer Zwilling

Jennifer Adele Zwilling is an independent curator and educator actively exploring both the contemporary and historical creative…

Jennifer Adele Zwilling is an independent curator and educator actively exploring both the contemporary and historical creative life of Philadelphia.…

Jennifer Adele Zwilling is an independent curator and educator actively exploring both the contemporary and historical creative life of Philadelphia.…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

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