Jack Knight: Amazing Grace Series

Márton Szabó

Márton Szabó

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I do not strive to recreate the particulars of places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.

Kirby Fredendall

Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Jacqueline Unanue

Jacqueline Unanue

Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing,…

Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing, to evoke a primal mode of communication.…

Christina Massey

Christina Massey

Randall Cleaver