Marta Sanchez at Misericordia University

Marta Sanchez’s hope and memory will be exhibited at Misericordia University until August 9th.

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities. Currently she works in her studio in Philadelphia, where she belongs to the 3rd Street Gallery, a co-operative which she supports. In the 70's she was a founding member of an artists co-op in NYC. Her work is abstract, both in painting and drawing. They sometimes combine in mixed media with collage. These works may include fragments from the collection of memorabilia in her studio. Her work has been influenced by travel, Morocco, Mexico, and repeated trips to Japan and Europe
Marjorie Grigonis
Marjorie Grigonis

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities.…

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities. Currently she works in her studio in Philadelphia, where she belongs to the 3rd…

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities. Currently she works in her studio in Philadelphia, where she belongs to the 3rd Street Gallery, a…

Francis Beaty
Francis Beaty
My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already held.
Daniel Dallmann
Daniel Dallmann

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already held.…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

Jorge Luis Vega
Jorge Luis Vega
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