Matthew Hall Solo Exhibition

Matthew Hall‘s solo exhibition, Looking Up, will show at 3rd Street Gallery from March 27th thru April 19th.

The show has three receptions:

4th Friday, March 27, 2020 5-8
Artist Reception, Sunday March 29, 2020 2-5pm
1st Friday, April 3rd, 2020 5-8pm

Susanna W. Gold, PhD, is an art historian & independent curator working with private, commercial, corporate and institutional clients to curate art exhibitions and build art collections.
Susanna W. Gold
Susanna W. Gold

Susanna W. Gold, PhD, is an art historian & independent curator working with private, commercial, corporate and institutional…

Susanna W. Gold, PhD, is an art historian & independent curator working with private, commercial, corporate and institutional clients to curate art exhibitions and build art collections.…

Susanna W. Gold, PhD, is an art historian & independent curator working with private, commercial, corporate and institutional clients to curate art exhibitions and build art collections.…

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different points and perspectives. He engages the viewer to be active in the experience by encouraging interaction from differing perspectives. Many of his pieces have hints of sculptural qualities that pop from the wall. This creates shadows and movement within and outside of the piece.
Joe Vescovich
Joe Vescovich

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different…

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different points and perspectives. He engages the viewer to be active in the experience…

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different points and perspectives. He engages the viewer to be active in the experience by encouraging interaction…

Emily Selvin
Emily Selvin
I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Annie Stone cuts out images and uses a unique technique to attach them to each other, interweaving them in a way that creates shapes independent of any background.
Annie Stone
Annie Stone

Annie Stone cuts out images and uses a unique technique to attach them to each other, interweaving them in a way that creates…

Annie Stone cuts out images and uses a unique technique to attach them to each other, interweaving them in a way that creates shapes independent of any background.…

Annie Stone cuts out images and uses a unique technique to attach them to each other, interweaving them in a way that creates shapes independent of any background.…

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