Paintings by Pia De Girolamo to be Seen in Upcoming Film, Creed II

Just recently, a set designer for Creed II approached InLiquid artist Pia De Girolamo to feature five of her stunning paintings as part of the movie’s set. 

The movie is about a crowned light heavyweight champ, Adonis Creed, that faces off against Viktor Drago (son of Ivan Drago) under the guidance of Rocky Balboa.

 

    

   

We can’t wait to see them live in action! They should add some punch to the set.  Check out the trailer below. 

Creed II is set to release November 21, 2018.

 

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance she feels when working with the saturated colors in her painting. She is fascinated by the spatial dimensions, which can develop through the relationship of colors.
Su Knoll Horty
Su Knoll Horty

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance…

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance she feels when working with the saturated colors in her painting. She is…

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance she feels when working with the saturated colors in her painting. She is fascinated by the…

Amy Cousins
Amy Cousins
Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece to the viewer . . . no matter
what materials I use is all important.
I use titles to emotionalize these abstract
pieces to help communicate a connection
between the individual and
the universal whole.

In the metal pieces I use recycled aluminum
printing press plates which I sand,
cut and glue onto wood panels, they are
about energy and light, patterns and
motion, all influenced by the microcosm
of life forms, biology, and a
hint of satire.
Dolores Poacelli
Dolores Poacelli

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece…

Rachel Blythe Udell works with fibrous materials to create biomorphic sculptures and embroidered collages. She has had a solo show at Grounds For Sculpture and exhibited in a three-person show at the Perkins Center for the Arts, both in New Jersey. In Philadelphia, she has shown her work at venues such as the Painted Bride, International House, and the Crane Arts Center. Additionally, the Philadelphia Department of Parks and Recreation invited her to create a fiber art installation at Lemon Hill Mansion in Fairmount Park. Udell graduated from the University of Pennsylvania with a bachelor’s degree in Art History, and has studied art and art therapy at The School of the Art Institute of Chicago. She lives and works in Collingswood, New Jersey
Rachel Blythe Udell
Rachel Blythe Udell

Rachel Blythe Udell works with fibrous materials to create biomorphic sculptures and embroidered collages. She has had a…

Rachel Blythe Udell works with fibrous materials to create biomorphic sculptures and embroidered collages. She has had a solo show at Grounds For Sculpture and exhibited in a three-person show at the Perkins…

Rachel Blythe Udell works with fibrous materials to create biomorphic sculptures and embroidered collages. She has had a solo show at Grounds For Sculpture and exhibited in a three-person show at the Perkins Center for the…

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product of a collective memory that I share with the viewer.
Joe Sasarak
Joe Sasarak

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product…

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product of a collective memory that I share with the viewer. …

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product of a collective memory that I share with the viewer. …

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