Pedro Zagitt is one of many artists showing in PPAC’s 2018 Members Exhibition

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural brushwork often accented with calligraphic line. Her expressive work has a raw primal character.

Kathleen Shaver

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural…

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural brushwork often accented with calligraphic line. Her expressive work has…

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural brushwork often accented with calligraphic line. Her expressive work has a raw primal character.…

Howard Brunner

A Philadelphia born artist, whose paintings seek to portray the textures, personalities, stories and design of weathered urban walls from the surrounding city landscape.

Stephen Haigh

A Philadelphia born artist, whose paintings seek to portray the textures, personalities, stories and design of weathered…

A Philadelphia born artist, whose paintings seek to portray the textures, personalities, stories and design of weathered urban walls from the surrounding city landscape.…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for viewers, but the essence of the elements and ambiguity demand individual interaction with each painting. Layering is both revealing and concealing, creating a balanced tension and suspension which is really what painting is for me. I use the elements to speak for me and I wish to open doors to new dialogue within and between viewers.

Kelly Gadsby

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already held.

Daniel Dallmann

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already held.…