Susan Benarcik – WHYY Interview

While installing her exhibition at the Buzz Ware Town Center Gallery in Arden, Susan Benarcik sat down with Brian Drouin for an insightful conversation about her studio practice. The interview aired on Friday, February 23, at 5:30 P.M. and 11 P.M. Tune into WHYY’s “First”  a Delaware news program. Here’s a link to the interview: http://video.whyy.org/video/3009797765/

Margaret Pezalla-Granlund
Margaret Pezalla-Granlund
I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Julianna Foster
Julianna Foster
Ever since I could remember I was always attracted to people and places, but I was not always good with words or finding connection. Photography was my way of fitting in--my way to communicate the beauty I see around me. I’ve traveled the world documenting all types of subjects and experienced many extraordinary people and places.
Richard W. Gretzinger
Richard W. Gretzinger

Ever since I could remember I was always attracted to people and places, but I was not always good with words or finding…

Ever since I could remember I was always attracted to people and places, but I was not always good with words or finding connection. Photography was my way of fitting in--my way to communicate the beauty…

Ever since I could remember I was always attracted to people and places, but I was not always good with words or finding connection. Photography was my way of fitting in--my way to communicate the beauty I see around me.…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

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