Internships

My works on paper employ painting and ink on paper- white, black and other colors. Expressionist lines and strong color symbols are intimate in execution whether large or small format.
Rachel Citrino

My works on paper employ painting and ink on paper- white, black and other colors. Expressionist lines and strong color symbols…

My works on paper employ painting and ink on paper- white, black and other colors. Expressionist lines and strong color symbols are intimate in execution whether large or small format.…

My works on paper employ painting and ink on paper- white, black and other colors. Expressionist lines and strong color symbols are intimate in execution whether large or small format.…

David Slovic
The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for viewers, but the essence of the elements and ambiguity demand individual interaction with each painting. Layering is both revealing and concealing, creating a balanced tension and suspension which is really what painting is for me. I use the elements to speak for me and I wish to open doors to new dialogue within and between viewers.
Kelly Gadsby

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for…

Composing in series, and often series within series, all of my projects from the past couple of decades have dealt with social issues, and more recently have embraced text as both content and image:

*  states of mind as one-word declarations (SO I WAS, LIKE....)

* the interior lives of artists (DESIDERATUM)

* odd courting and mating habits in the animal kingdom that sometimes echo our own (RE:PRODUCTION – Portraits)
* the dysfunction of todays politics seen through an historical perspective (WHEEL, DEAL, STEAL, THEN SPIN)

* death – it’s customs, euphemisms, architecture (THE FINAL FRONTIER)

* profiling and identity (The MARK Portraits)

* violence in America (TOKENS, PRECIS, HARBINGERS AND HERALDS, AMERICAN PIE, EIKONS)
E. Sherman Hayman

Composing in series, and often series within series, all of my projects from the past couple of decades have dealt with social…

Composing in series, and often series within series, all of my projects from the past couple of decades have dealt with social issues, and more recently have embraced text as both content and image:

*…

Composing in series, and often series within series, all of my projects from the past couple of decades have dealt with social issues, and more recently have embraced text as both content and image:

* states of mind as…

Leora Brecher
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