2019 John D. Mineck Furniture Fellowship

2019 John D. Mineck Furniture Fellowship

This Deadline Expired: Monday, August 12, 2019

The Furniture Fellowship developed from John D. Mineck’s love for making fine furniture and the skill, passion, and dedication exhibited by those in the field. In an effort to support the craft that John loved and the people who make it, the John D. Mineck Foundation created this Fellowship to encourage and support a young-in-career furniture artist with the financial assistance to help them succeed in their journey. Through the generosity of the Foundation, the Society of Arts and Crafts is able to award $25,000 annually to an artist who demonstrates skill and commitment to their craft.
 
This cohort represents the qualities John appreciated in the field: talent in making, exploration and growth of new ideas, and the importance of a community that supports each other. Their work demonstrates the possibilities in making — a variety of techniques, design aesthetics, and functional forms. The Society of Arts and Crafts would like to extend our gratitude to the John D. Mineck Foundation for making this Fellowship a possibility.

Apply here

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece to the viewer . . . no matter
what materials I use is all important.
I use titles to emotionalize these abstract
pieces to help communicate a connection
between the individual and
the universal whole.

In the metal pieces I use recycled aluminum
printing press plates which I sand,
cut and glue onto wood panels, they are
about energy and light, patterns and
motion, all influenced by the microcosm
of life forms, biology, and a
hint of satire.
Dolores Poacelli
Dolores Poacelli

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece…

Marta Sanchez is an InLiquid member
Marta Sanchez
Marta Sanchez

Marta Sanchez is an InLiquid member…

Marta Sanchez is an InLiquid member…

Marta Sanchez is an InLiquid member…

Kiya Nicole
Kiya Nicole
Nancy Freeman Tabas, like French Impressionist Master Claude Monet appears to explore the same motif under different conditions of light and or seasons.
Nancy Freeman Tabas
Nancy Freeman Tabas

Nancy Freeman Tabas, like French Impressionist Master Claude Monet appears to explore the same motif under different conditions…

Nancy Freeman Tabas, like French Impressionist Master Claude Monet appears to explore the same motif under different conditions of light and or seasons.…

Nancy Freeman Tabas, like French Impressionist Master Claude Monet appears to explore the same motif under different conditions of light and or seasons.…

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different points and perspectives. He engages the viewer to be active in the experience by encouraging interaction from differing perspectives. Many of his pieces have hints of sculptural qualities that pop from the wall. This creates shadows and movement within and outside of the piece.
Joe Vescovich
Joe Vescovich

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different…

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different points and perspectives. He engages the viewer to be active in the experience…

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different points and perspectives. He engages the viewer to be active in the experience by encouraging interaction…

previous arrow
next arrow