2019 POST: ARTIST PRE-REGISTRATION

2019 POST: ARTIST PRE-REGISTRATION

This Deadline Expired: Monday, December 31, 2018

Pre-Register for the 20th Anniversary of POST for only $50*

Benefits of a POST artist:

*Prices to go up after December 31, 2018. Pay the low price now and set up your profile later!

Marta Sanchez is an InLiquid member
Marta Sanchez
Marta Sanchez

Marta Sanchez is an InLiquid member…

Marta Sanchez is an InLiquid member…

Marta Sanchez is an InLiquid member…

Phoebe Murer
Phoebe Murer
Jim Brossy
Jim Brossy
Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural brushwork often accented with calligraphic line. Her expressive work has a raw primal character.
Kathleen Shaver
Kathleen Shaver

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural…

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural brushwork often accented with calligraphic line. Her expressive work has…

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural brushwork often accented with calligraphic line. Her expressive work has a raw primal character.…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

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