An Open Art Competition: Embodying Masonic Values

An Open Art Competition: Embodying Masonic Values

This Deadline Expired: Wednesday, August 15, 2018

Call for Entries

Sponsored by The Masonic Library and Museum of Pennsylvania

Criteria:
All artwork entries must display a visual interpretation of some aspect of Freemasonry in Pennsylvania, whether it be philosophical, historical, scientific, social, fraternal, charitable, architectural, etc. Selected artwork will be exhibited in the Masonic Temple in Philadelphia. Constructed in 1873, the Masonic Temple has been called one of the great “wonders” of the Masonic world. Adorned with some of the finest artifacts of Freemasonry and magnificent lodge rooms based on themes of the ancient architectural world, the Masonic Temple connects us with our past by outwardly displaying our Masonic traditions and values. Located within the Masonic Temple is The Masonic Library and Museum of Pennsylvania, which houses thousands of texts and artifacts relating to the history of the fraternity in the Commonwealth and the founding of our great nation.

Jurors
Brother Alvin E. Just, D.D.G.M.-41
William Scott Noel, Painter
Moe A. Brooker, Painter

Eligibility:
Any amateur or professional artist or college art student may enter, but all will be judged as equals for competition purposes. Artists must be at least 18 years of age. All submissions must be original; they may have been created within the past two years and may have been previously exhibited. No work previously produced on a commission will be accepted. All submissions must be available for purchase.

Categories:
Oil
Three-dimensional
Drawing and Print-making
Water-Based Medium
Digital Imagery

Dimensions:
Minimum size: 6 inches, Maximum size: 48 inches x 72 inches

All submissions must be able to fit within a 48” square display area. They can be of any dimension or shape fitting within those boundaries. Submissions may (optional) be framed by the artist.

Awards:
$200 Prize per winner, per category
$500 Grand Master’s Prize
$1,000 Best in Show Prize

Entry Fee:
$25 for first entry, $10 each for second and third entries. No more than three entries, regardless of media type, will be accepted from each artist.

Auction:
If the artists in the Grand Exhibition choose to participate, their entered works may be auctioned off at the Exhibition Gala, with 80 percent of the auction value going to them and 20 percent to The Masonic Library and Museum of Pennsylvania. The artist may set a reserve price, as well as a direct purchase price for the original work to be revealed AFTER the auction.

Calendar:
Entry deadline: Wednesday, Aug. 15, by midnight, E.S.T.

Jury selection announced: Wednesday, Sept. 19, 2018

Drop-off and pickup of all artwork must be done in person – or by a designated representative – on the assigned date and arranged time. Drop-off: September 24 – October 3, 2018, Pickup: November 5 – 10, 2018

Opening Reception: The Grand Exhibition Gala will be held at the Masonic Temple in Philadelphia on Friday, Oct. 5, featuring a cocktail and hors d’oeuvres reception, live music, announcement of winners and a live auction of selected artwork.

Exhibition: The Grand Exhibition will remain open to the public to view on Saturday, Oct. 6, from 9 a.m. – 5 p.m.

The Masonic Library and Museum of Pennsylvania
Masonic Temple
One N. Broad Street
Philadelphia, PA 19107-2598

Please register and enter at www.callforentry.org

Gelles uses words and images to provide social commentary on who we are and how we think. Her objective is to provoke thoughts, ideas, and discussion. Her photographs of beach huts stem from an interest in mapping how architecture and social organization intersect, especially as it pertains to families and home.
Judy Gelles
Judy Gelles

Gelles uses words and images to provide social commentary on who we are and how we think. Her objective is to provoke thoughts,…

Gelles uses words and images to provide social commentary on who we are and how we think. Her objective is to provoke thoughts, ideas, and discussion. Her photographs of beach huts stem from an interest…

Gelles uses words and images to provide social commentary on who we are and how we think. Her objective is to provoke thoughts, ideas, and discussion. Her photographs of beach huts stem from an interest in mapping how architecture…

Amie Potsic is a Photographic Artist on Inliquid. She explores the physical, socio-political and natural aspects of photography in Made in China and Skin Stories.
Amie Potsic
Amie Potsic

Amie Potsic is a Photographic Artist on Inliquid. She explores the physical, socio-political and natural aspects of photography…

Amie Potsic is a Photographic Artist on Inliquid. She explores the physical, socio-political and natural aspects of photography in Made in China and Skin Stories.…

Amie Potsic is a Photographic Artist on Inliquid. She explores the physical, socio-political and natural aspects of photography in Made in China and Skin Stories.…

Richard King
Richard King
Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called golden age. Using their visual conventions, nostalgic aura, and narrative structure in combination with images borrowed from art history and other popular cultural sources, Borgen has developed a hybrid visual language which he uses in his digital prints and wall installations to make comment on topics ranging from historical, formal strategies of artmaking to issues within the current political and social discourse.
Matthew Borgen
Matthew Borgen

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called…

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called golden age. Using their visual conventions, nostalgic aura, and narrative…

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called golden age. Using their visual conventions, nostalgic aura, and narrative structure in combination…

Denise Philipbar's work is abstract, geometric, dynamic, and colorful. Using both mixed media and oil, she references mathematic and science in her paintings.
Denise Philipbar
Denise Philipbar

Denise Philipbar's work is abstract, geometric, dynamic, and colorful. Using both mixed media and oil, she references mathematic…

Denise Philipbar's work is abstract, geometric, dynamic, and colorful. Using both mixed media and oil, she references mathematic and science in her paintings.…

Denise Philipbar's work is abstract, geometric, dynamic, and colorful. Using both mixed media and oil, she references mathematic and science in her paintings.…

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