Apply for a Booth at Superfine! Art Fair | DC 2019

Apply for a Booth at Superfine! Art Fair | DC 2019

This Deadline Expired: Saturday, September 14, 2019

Apply for a Booth at Superfine! Art Fair | DC 2019

For the second year in a row, they are inviting top emerging artists, galleries, and curators to join Superfine! for the foremost artist-driven art fair in the country at Union Market in Washington DC. Here’s what you can expect from Superfine! DC:

– 6-10,000 unique visitors during the five days of the fair.
– 25% of our visitors make a significant ($100-$2,500+) art purchase.
– An easy, efficient exhibition guided by our expert curators.

A Year of Exhibitions in One Week

– Connect with collectors in a friendly, welcoming space designed as the ideal environment to discover, buy, and sell art.
– Innovative cost-saving and cost-spreading financing options that work with every artist’s budget to make exhibiting and selling a reality.
– Opportunities for features in Superfine!’s earned (press + PR), owned (website, blog, and social), and paid (advertising) media.

Note: Superfine! takes no commission on any artwork sold, either in person at the fair or via our online E-Fair.

Make art. Sell art. We do the rest.

– The smartest and most sophisticated marketing engine in the industry.
– A professional, courteous, and knowledgeable team of experts guiding you every step of the way.
– Lead-up webinars and curatorial guidelines geared towards success.

Current Booth Inventory (as of 5/22/19)

– 12 foot booths ($3,000) → 4 left
– 16 foot booths ($4,000) → 6 left
– Larger gallery/curator booths (18-38 feet / $4,500-$9,500) → 10 left

Application Deadline: September 4, 2019. Booths are going quick, so apply today!

 

 My paintings frequently lead me through mysterious places that hint of dreams, memories, landscapes, or the dense rhythms of music.  Bold colors and free  gestures can produce  serene minimal paintings suggesting alternative universes or ways of thinking.
Katherine Kurtz
Katherine Kurtz

My paintings frequently lead me through mysterious places that hint of dreams, memories, landscapes, or the dense rhythms…

My paintings frequently lead me through mysterious places that hint of dreams, memories, landscapes, or the dense rhythms of music. Bold colors and free gestures can produce serene minimal paintings…

My paintings frequently lead me through mysterious places that hint of dreams, memories, landscapes, or the dense rhythms of music. Bold colors and free gestures can produce serene minimal paintings suggesting alternative…

Marcie Ziskind
Marcie Ziskind
Márton Szabó
Márton Szabó
Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was introduced to a mixed race population that was very concerned with labeling and grouping people, the experience was unsettling. From that point, I had to think about race and culture and how they related to my daily performance.
Cara Susanne Roberts
Cara Susanne Roberts

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was introduced to a mixed…

Deborah Moss Marris
Deborah Moss Marris
previous arrow
next arrow