Apply to be featured in Art Seen – February Edition

Apply to be featured in Art Seen – February Edition

This Deadline Expired: Monday, November 8, 2021

READY TO SHOW YOUR ART?
Travel and exhibiting internationally might not be an option as we ease out of lockdown but it doesn’t mean you cannot show your art.

Can you imagine how it would feel to see your art in a curated art publication?

The magazine brings together artists and art world professionals.

Including:

Artists features
Artists interviews
Studio visits
Submit to Art Seen:

Keep showing your art
Reach an audience beyond your own following
See your art in a fresh publication
Open to visual artists across the world
The next magazine will be available in print and digital format internationally in November 2021, jurying is in process for this issue.

Art Seen is distributed through Amazon in all locations worldwide.

Applications are now open for the February 2022 edition. Deadline Monday 8th November

Learn more and submit here.

Leah Macdonald's diversity and experience in the realms of photography, encaustic painting and mixed media continue to merge and compliment one another.
Leah Macdonald
Leah Macdonald

Leah Macdonald's diversity and experience in the realms of photography, encaustic painting and mixed media continue…

Leah Macdonald's diversity and experience in the realms of photography, encaustic painting and mixed media continue to merge and compliment one another.…

Leah Macdonald's diversity and experience in the realms of photography, encaustic painting and mixed media continue to merge and compliment one another.…

Michele Tremblay's paper sculptures are informed by her intimate knowledge of flowers gained by working with fresh flowers over the years.
Michele Tremblay
Michele Tremblay

Michele Tremblay's paper sculptures are informed by her intimate knowledge of flowers gained by working with fresh flowers…

Michele Tremblay's paper sculptures are informed by her intimate knowledge of flowers gained by working with fresh flowers over the years.…

Michele Tremblay's paper sculptures are informed by her intimate knowledge of flowers gained by working with fresh flowers over the years.…

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural brushwork often accented with calligraphic line. Her expressive work has a raw primal character.
Kathleen Shaver
Kathleen Shaver

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural…

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural brushwork often accented with calligraphic line. Her expressive work has…

Shaver's large abstract canvases and smaller paintings on Evolon paper feature a thickly textured surface and bold gestural brushwork often accented with calligraphic line. Her expressive work has a raw primal character.…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Kitty Caparella
Kitty Caparella
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