Arts Letters and Numbers FALL/WINTER RESIDENCY 2021

Arts Letters and Numbers FALL/WINTER RESIDENCY 2021

This Deadline Expired: Saturday, November 13, 2021

After the success of their first in-person season post COVID, and upon the lifting of restrictions, Arts Letters and Numbers invites you to join them at their upstate NY campus for another immersive retreat. A large Victorian home, a big white barn and a textile mill turned studio space await your creative practice. Away from the distractions of life, surrounded by woods, hiking and lakes this is a perfect place to spend a couple of weeks or even your whole winter. As a part of a creative community you can choose to focus on a solo project, or embrace the opportunity to explore collaborations with your fellow residents.

Accepting new applicants on a rolling basis. Participating artists in this program will be offered studio space and a private room for a reduced $250 a week. During this time each resident will be fully independent, yet co-exist in shared space.

Learn more about the residency here.

Marta Sanchez is an InLiquid member
Marta Sanchez
Marta Sanchez

Marta Sanchez is an InLiquid member…

Marta Sanchez is an InLiquid member…

Marta Sanchez is an InLiquid member…

Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing, to evoke a primal mode of communication.
Jacqueline Unanue
Jacqueline Unanue

Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing,…

Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing, to evoke a primal mode of communication.…

Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing, to evoke a primal mode of communication.…

Howard Brunner
Howard Brunner
I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Don Kaiser is an InLiquid member with works in digital art and installation.
Don Kaiser
Don Kaiser

Don Kaiser is an InLiquid member with works in digital art and installation.…

Don Kaiser is an InLiquid member with works in digital art and installation.…

Don Kaiser is an InLiquid member with works in digital art and installation.…

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