Audio Field Recording

Audio Field Recording

This Deadline Expired: Thursday, May 9, 2019

Improve your interviews and voice-overs by learning to acquire the best-quality sound for audio documentaries and multimedia productions. In this four-part class, we’ll discuss the best gear and techniques for using that equipment

http://scribe.org/events/audio-field-recording-0

Allen Spencer & Deborah Imler
Allen Spencer & Deborah Imler
G. Kellum challenges the rear view perspective of artistic expression and dives into the world of urban aesthetics, as we know it. It also explores the possibilities present in spiritual and psychological practices. Look then, look again. As we move toward the future the images grow more familiar with each truth they unveil. This then becomes a series that grows with time.
G. Farrel Kellum
G. Farrel Kellum

G. Kellum challenges the rear view perspective of artistic expression and dives into the world of urban aesthetics, as we…

G. Kellum challenges the rear view perspective of artistic expression and dives into the world of urban aesthetics, as we know it. It also explores the possibilities present in spiritual and psychological…

G. Kellum challenges the rear view perspective of artistic expression and dives into the world of urban aesthetics, as we know it. It also explores the possibilities present in spiritual and psychological practices. Look…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Clare Finin is an artist, researcher, and non-profit hustler currently based in Philadelphia, PA.
Clare Finin
Clare Finin

Clare Finin is an artist, researcher, and non-profit hustler currently based in Philadelphia, PA. …

Clare Finin is an artist, researcher, and non-profit hustler currently based in Philadelphia, PA. …

Clare Finin is an artist, researcher, and non-profit hustler currently based in Philadelphia, PA. …

Bomze sees painting as mark making, where drawings become meshed into paintings.
Rachel Bomze
Rachel Bomze

Bomze sees painting as mark making, where drawings become meshed into paintings.…

Bomze sees painting as mark making, where drawings become meshed into paintings.…

Bomze sees painting as mark making, where drawings become meshed into paintings.…

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