Call for Artist Interviews for Arts To Hearts Podcast

Call for Artist Interviews for Arts To Hearts Podcast

This Deadline Expired: Monday, April 12, 2021

Arts to Hearts Project is dedicated to building a community by creating a safe & inclusive space, provide support, opportunities & resources to artists. Their mission is to help women artists navigate their career & life as a creative.
Their passion is to help fellow women artists with a goal to create a welcoming community through our initiatives. Their projects includes The ATH Club, ATH Newsletter, Heart Talks (interviews with artists), Heart Notes (Guest writers for blog), and now, The Arts To Hearts Podcast.

Art To Hearts Project is pleased to announce International Applications for the ARTS TO HEARTS PODCAST!

Let’s take our conversation about the arts, your creative process, your art practice and your artistic journey to our growing audience and followers around the world, including leading galleries, art fairs, collectors, curators, writers, art consultants, and more.

Let’s introduce you to the Host!

Charuka Arora is an artist, designer, entrepreneur and the founder of Arts To Hearts Project. She has a passion for Arts, Design and creating meaningful communities and opportunities. Charuka has been running her independent creative studio for over 5 years and also works as a creative consultant for businesses. In the span of her career, Charuka found that there aren’t enough accessible options and opportunities for emerging and new entrants in the industry. And, a lack of transparency and platforms for peer connections. Hence, she decided to pursue Arts To Hearts Project as an initiative to take a step forward in this direction. She lives, works, and creates from India.

Learn more here.

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Bruce Garrity paints colorful and dynamic landscapes still lifes, portraits, and nudes, and re-imagines some of the great works of post-impressionist artists like Cezanne and early Modernists like Matisse and Giacometti.
Bruce Garrity
Bruce Garrity

Bruce Garrity paints colorful and dynamic landscapes still lifes, portraits, and nudes, and re-imagines some of the great…

Bruce Garrity paints colorful and dynamic landscapes still lifes, portraits, and nudes, and re-imagines some of the great works of post-impressionist artists like Cezanne and early Modernists like Matisse…

Bruce Garrity paints colorful and dynamic landscapes still lifes, portraits, and nudes, and re-imagines some of the great works of post-impressionist artists like Cezanne and early Modernists like Matisse and Giacometti.…

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance she feels when working with the saturated colors in her painting. She is fascinated by the spatial dimensions, which can develop through the relationship of colors.
Su Knoll Horty
Su Knoll Horty

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance…

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance she feels when working with the saturated colors in her painting. She is…

Su Knoll Horty uses bold colors to explores the power of color to elicit emotion, Su sees it as her task to convey the exuberance she feels when working with the saturated colors in her painting. She is fascinated by the…

Andrea Lyons'  work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as part of the subject of the painting. The connection of wood as part of the structure of the house and also part of the tree form. The layers of the bark of the tree as related to the layers of skin. The correlation of flesh to wood and other building materials.
Andrea Lyons
Andrea Lyons

Andrea Lyons' work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as…

Andrea Lyons' work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as part of the subject of the painting. The connection of wood as part of the structure…

Andrea Lyons' work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as part of the subject of the painting. The connection of wood as part of the structure of the house and…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for viewers, but the essence of the elements and ambiguity demand individual interaction with each painting. Layering is both revealing and concealing, creating a balanced tension and suspension which is really what painting is for me. I use the elements to speak for me and I wish to open doors to new dialogue within and between viewers.
Kelly Gadsby
Kelly Gadsby

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for…

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