Call for Artists: Fellowship 18

Call for Artists: Fellowship 18

This Deadline Expired: Monday, November 13, 2017

Silver Eye Center for Photography announces a Call for Entries for Fellowship 18, our international photography competition. Now in its 18th year, this competition recognizes both rising talent and established photographers from all corners of the globe and from the state of Pennsylvania.

New this year, in addition to the International and Keystone Award winners, one Publication Prize winner will be awarded to an artist with an exceptional body of work. The Publication Prize awards a limited-edition print-run publication based on the winner’s submitted body of work co-published and distributed by Spaces Corners (Pittsburgh).

For more information, click here.

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

Mallary Johnson
Mallary Johnson
Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor.  She approaches her work like a lab experiment, a set of steps to see what will happen. Her painting process usually begins with a thick underpainting using a carefully chosen color (a color of influence!) which is left intentionally visible at the edges.
Phyllis Anderson
Phyllis Anderson

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches…

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches her work like a lab experiment, a set of steps to see what will happen.…

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches her work like a lab experiment, a set of steps to see what will happen. Her painting process…

Lauren Sweeney
Lauren Sweeney
What’s interesting for me is a spectrum of abstraction and realism that evokes both stillness and vitality.
Bettina Clowney
Bettina Clowney

What’s interesting for me is a spectrum of abstraction and realism that evokes both stillness and vitality. …

What’s interesting for me is a spectrum of abstraction and realism that evokes both stillness and vitality. …

What’s interesting for me is a spectrum of abstraction and realism that evokes both stillness and vitality. …

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