Call for Artists: POST 2018 Registration

Call for Artists: POST 2018 Registration

This Deadline Expired: Friday, June 1, 2018

As the largest open studio tour in the region, Philadelphia Open Studio Tours is a unique way to connect to your community. Showcase your artistic practice this fall by inviting the public behind the scenes and into your studio or creative work space.

Important Dates:
February 5: Registration Opens
March 31: Last chance to register with discounts.
June 1: Last day to register in Print Directory*
*Also last day to purchase thumbnails for the directory
June 15: Last day to update online profile for content in print materials
September 7: Last day to update Online Profile

For more information and to register for POST: Philadelphia Open Studio Tours, please visit: https://www.philaopenstudios.org/register

 

 

Susan Shipley is an abstract painter. She paints spontaneously. While enjoying the work of many abstract artists, she finds that the consistency and sameness, while calming, offers little surprise. She prefers to work spontaneous using dramatic colors in a dynamic fashion. The end results fall in the category of abstract expressionism. Rather than providing calm, she prefers to provoke an immediate emotional response. A short while ago, she fused and slumped glass creating 3 dimensional work; however, of late she just paints. She received a Ph.D. later in life and practices psychology in the schools with children. Susan is a Baby Boomer and a happy grandma.
Susan Shipley
Susan Shipley

Susan Shipley is an abstract painter. She paints spontaneously. While enjoying the work of many abstract artists, she finds…

Susan Shipley is an abstract painter. She paints spontaneously. While enjoying the work of many abstract artists, she finds that the consistency and sameness, while calming, offers little surprise. She…

Susan Shipley is an abstract painter. She paints spontaneously. While enjoying the work of many abstract artists, she finds that the consistency and sameness, while calming, offers little surprise. She prefers to work spontaneous…

Susan Abrams
Susan Abrams
As my concern for our planet grows daily, I make art to express this, in the beautiful, mysterious language of abstraction. For the last 6 years I have been painting about our climate crisis in a series on rising waters, rain, birds, coral, forests and lost ice. I show both the beauty and desecration of our environment. I convey feeling through the use of color and movement.
Pamela Tudor
Pamela Tudor

As my concern for our planet grows daily, I make art to express this, in the beautiful, mysterious language of abstraction.…

As my concern for our planet grows daily, I make art to express this, in the beautiful, mysterious language of abstraction. For the last 6 years I have been painting about our climate crisis in a series…

As my concern for our planet grows daily, I make art to express this, in the beautiful, mysterious language of abstraction. For the last 6 years I have been painting about our climate crisis in a series on rising waters,…

Gestural lines, fragmented patterns and assorted textures are the threads of my work which create a space for the confluence of memory, time and place. The overarching theme of my work is a narrative drawn from personal history, my meditation and spiritual practice, community engagement and interest in the mysteries of the Universe.
Nanci Hersh
Nanci Hersh

Gestural lines, fragmented patterns and assorted textures are the threads of my work which create a space for the confluence…

Gestural lines, fragmented patterns and assorted textures are the threads of my work which create a space for the confluence of memory, time and place. The overarching theme of my work is a narrative…

Gestural lines, fragmented patterns and assorted textures are the threads of my work which create a space for the confluence of memory, time and place. The overarching theme of my work is a narrative drawn from personal…

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements not quite identifiable or understood
Bradford White Fiske
Bradford White Fiske

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements…

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements not quite identifiable or understood…

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements not quite identifiable or understood…

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