Call for Artists: Springtime, After All (Bridgeton, NJ)

Call for Artists: Springtime, After All (Bridgeton, NJ)

This Deadline Expired: Friday, March 9, 2018

“A sunny drive through South Jersey’s bucolic countryside will rekindle your affection for America the Beautiful with its small towns and farmlands. Join me with your interpretation of the theme with drawings, paintings, sculptures, and mixed media showing in Gallery 50 Inc’s open entry entry April 2018 exhibition, Springtime, After all.” — Rachel Citrino.

Open to all artists living in NJ, PA, and DE. All mediums accepted. 2-D works not to exceed 48″ inches each side. 3-D works not to exceed 48″ and 50lbs. Submissions via email = 6JPEGS with the title, medium, dimensions, year completed, CV, and brief artist statement.

*For more information on time frames, details, and a full prospectus, please email  Rachel Citrino at SpringAfterAll18@gmail.com.

 

Jacqueline Yvonne
Jacqueline Yvonne
Denise Philipbar's work is abstract, geometric, dynamic, and colorful. Using both mixed media and oil, she references mathematic and science in her paintings.
Denise Philipbar
Denise Philipbar

Denise Philipbar's work is abstract, geometric, dynamic, and colorful. Using both mixed media and oil, she references mathematic…

Denise Philipbar's work is abstract, geometric, dynamic, and colorful. Using both mixed media and oil, she references mathematic and science in her paintings.…

Denise Philipbar's work is abstract, geometric, dynamic, and colorful. Using both mixed media and oil, she references mathematic and science in her paintings.…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor.  She approaches her work like a lab experiment, a set of steps to see what will happen. Her painting process usually begins with a thick underpainting using a carefully chosen color (a color of influence!) which is left intentionally visible at the edges.
Phyllis Anderson
Phyllis Anderson

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches…

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches her work like a lab experiment, a set of steps to see what will happen.…

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches her work like a lab experiment, a set of steps to see what will happen. Her painting process…

Cassidy Argo
Cassidy Argo
previous arrow
next arrow