Call for Artists: The Painted Moment

Call for Artists: The Painted Moment

This Deadline Expired: Monday, February 8, 2021

The Art Guild invites all artists, high school and older, to submit artworks for consideration for “THE PAINTED MOMENT” a Juried Competition and Exhibition.

What attracts you to paint a subject? Is it the light at that moment, the expression at that moment or the emotion you feel at that moment? They are accepting works that are inspired by a moment in time, including still lifes, portraits and landscapes.

CRITERIA: All styles from abstract to realism are welcome. All works must be original and have been created in the last five years. References used in the creation of the submitted work must be the artist’s own, or copyright-released for use in this work. The curating committee’s decision is final.

MEDIUMS: Included but not limited to charcoal, collage, colored pencil, ink, oil or acrylic, mixed media, pastel, pencil, printmaking, sculpture, or watercolor. No Photography, Copies, Master Copies, Reproductions OR Giclees.

AWARDS 1st Place $300 • 2nd Place $200 • 3rd Place $100.

Learn more and submit here

Tyler Kline's work documents the arrival of the Chthulucene epoch: post-Anthropocene, tentacular, multi-optic, and multi-specied.
Tyler Kline
Tyler Kline

Tyler Kline's work documents the arrival of the Chthulucene epoch: post-Anthropocene, tentacular, multi-optic, and multi-specied.…

Tyler Kline's work documents the arrival of the Chthulucene epoch: post-Anthropocene, tentacular, multi-optic, and multi-specied.…

Tyler Kline's work documents the arrival of the Chthulucene epoch: post-Anthropocene, tentacular, multi-optic, and multi-specied.…

Art that playfully employs found images, biomorphic shapes, photo transfer and collage in somewhat surreal, abstracted landscapes/cityscapes, enriched with various media such as water color, acrylic, and colored pencil. Nature is a source of joy and also concern.
Rosalind Bloom
Rosalind Bloom

Art that playfully employs found images, biomorphic shapes, photo transfer and collage in somewhat surreal, abstracted landscapes/cityscapes,…

Art that playfully employs found images, biomorphic shapes, photo transfer and collage in somewhat surreal, abstracted landscapes/cityscapes, enriched with various media such as water color, acrylic, and…

Art that playfully employs found images, biomorphic shapes, photo transfer and collage in somewhat surreal, abstracted landscapes/cityscapes, enriched with various media such as water color, acrylic, and colored pencil. Nature…

Kit Donnelly's current work relies on understanding the visual world in its simplest form. Her work involves visual exercises in honesty and articulation through complex relationships of color and form.
Kit Donnelly
Kit Donnelly

Kit Donnelly's current work relies on understanding the visual world in its simplest form. Her work involves visual exercises…

Kit Donnelly's current work relies on understanding the visual world in its simplest form. Her work involves visual exercises in honesty and articulation through complex relationships of color and form.…

Kit Donnelly's current work relies on understanding the visual world in its simplest form. Her work involves visual exercises in honesty and articulation through complex relationships of color and form.…

John Schlesinger
John Schlesinger
Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different points and perspectives. He engages the viewer to be active in the experience by encouraging interaction from differing perspectives. Many of his pieces have hints of sculptural qualities that pop from the wall. This creates shadows and movement within and outside of the piece.
Joe Vescovich
Joe Vescovich

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different…

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different points and perspectives. He engages the viewer to be active in the experience…

Joe Vescovich's pieces are full of texture, layers and depth that can and need to be walked around and viewed form different points and perspectives. He engages the viewer to be active in the experience by encouraging interaction…

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