Call for Entry: Paperworks VII

Call for Entry: Paperworks VII

This Deadline Expired: Sunday, October 4, 2020

The Foundry Art Centre in Saint Charles, Missouri is seeking submissions for “Paperworks VII” a paper-centered exhibition focusing on how paper can be expressed in art. Last held at the Foundry in 2013, this juried exhibition is open to all artists who utilizes paper as an integral component of expression. They ask all artists how they push this ancient, tactile experience of making paper into making book arts, sculptures, and other forms of fine art. All two and three dimensional work will be considered for this exhibition.

Juror:
Sukanya Mani is an interdisciplinary artist with a passion in science, philosophy and exploring issues of gender and femininity. She takes complex ideas from those fields, builds stories around them and presents them in a visual art form. Her studio practice involves the art of cutting and sculpting paper. Mani unapologetically embraces craft, with a keen attention to the material’s inherent properties and understands the importance of light and shadow within the work. The paper sculptures are exquisitely crafted through a process of meticulous hand made cuts. By mixing science and art, observation and imagination, she hopes to find a bridge between the two, mimicking the breathtaking complexity that exists at every level of our lives, and filtering it through the intuitiveness of the artistic imagination. Mani has worked as a teaching artist and arts administrator with various arts organizations including the St. Louis Art Museum, COCA, Contemporary Museum and MO History museum. Born in India, Mani lives and works in St. Louis.

To Learn More Information: http://www.foundryartcentre.org/paperworks-vii

To Directly Submit To This Call: https://form.jotform.com/202315242720138
Deadline to enter: October 4, 2020

Questions about eligibility can be sent to exhibitions@foundryartcentre.org

Carla J Fisher

Carla J Fisher uses thread and throwaways to symbolize how even the tired, used, and totally spent can experience new life.…

Carla J Fisher uses thread and throwaways to symbolize how even the tired, used, and totally spent can experience new life. Through free motion machine embroidery, she seeks the viewer’s visceral response…

Carla J Fisher uses thread and throwaways to symbolize how even the tired, used, and totally spent can experience new life. Through free motion machine embroidery, she seeks the viewer’s visceral response of surprise as they…

Eric Fausnacht

Modern representation of traditional farm animals using pattern and texture to create larger-than-life portraitures.…

Modern representation of traditional farm animals using pattern and texture to create larger-than-life portraitures.…

Modern representation of traditional farm animals using pattern and texture to create larger-than-life portraitures.…

Christina Penrose

Christina Penrose's work is a result of experimenting with various transfer methods, collage, and paint application. This…

Christina Penrose's work is a result of experimenting with various transfer methods, collage, and paint application. This process stimulates underlying themes that are at times autobiographical, political,…

Christina Penrose's work is a result of experimenting with various transfer methods, collage, and paint application. This process stimulates underlying themes that are at times autobiographical, political, environmental,…

Peter Cunicelli
Dolores Poacelli

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece…

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