Call for Papers / Exhibitions: CICA New Media Art Conference 2022

Call for Papers / Exhibitions: CICA New Media Art Conference 2022

This Deadline Expired: Wednesday, December 29, 2021

Call for Papers
CICA Museum invites creative writers, scholars, and artists worldwide to participate in the CICA New Media Art Conference 2022 and the publication. They are open to proposals for paper presentations, workshops, experimental sessions, as well as artistic performance. Due to the uncertain situation that requires social distancing, they have decided to actively incorporate new media technologies into our event, including live streaming, video conferencing and social media, so that new media artists, researchers, and guests worldwide can participate in the event physically and/or virtually. Selected essays will be featured in the book “New Media Art 2023,” expected to be published in December 2022. The book will be available in major bookstores in Korea, and in the United States and other countries via Amazon.

*This year’s categories include:
-Single Channel Video & Animation
-New Media Installations
-Interactive Art
-Game Art
-Web Art
-Mobile App
-Art and Social Media
-Art and Mass Media
-Data Visualization
-3D Printing
-Performance (Addressing Media Related Issues)
-New Media Culture
-Activist Art
-New Media Art in a Global Pandemic

* How to submit: Please visit their website for more information – https://cicamuseum.com/call-for-papers-exhibitions-cica-new-media-art-conference-2022/

Call for Exhibitions
CICA Museum invites artists worldwide to participate in the Solo Exhibition Series for the CICA New Media Art Conference 2022 and the publication. Selected artists will have solo exhibitions in the gallery space. Around 44 square meters will be assigned for each artist. Selected artists will participate in the conference and have artists’ talks and discussions. Due to the uncertain situation that requires social distancing, we have decided to actively incorporate new media technologies into our event, including live streaming, video conferencing and social media, so that new media artists, researchers, and guests worldwide can participate in the event physically and/or virtually. In case the international artist is unable to visit us due to the global pandemic situations, we will assist the artist in installing the works. The artists will also be featured in the book “New Media Art 2023,” expected to be published in December 2022. The book will be available in major bookstores in Korea, and in the United States and other countries via Amazon.

*This year’s categories include:
-Single Channel Video & Animation
-New Media Installations
-Interactive Art
-Game Art
-Web Art
-Mobile App
-Art and Social Media
-Art and Mass Media
-Data Visualization
-3D Printing
-Performance (Addressing Media Related Issues)
-New Media Culture
-Activist Art
-New Media Art in a Global Pandemic

*How to submit your work: Please visit their website for more information – https://cicamuseum.com/call-for-papers-exhibitions-cica-new-media-art-conference-2022/

Gary Grissom
Gary Grissom
Lonnie Graham is a Pew Fellow and Professor at Pennsylvania State University. He is former director of Photography at Manchester Craftsmen’s Guild in Pittsburgh, Pennsylvania, an urban arts organization dedicated to arts and education for at risk youth. There, Graham developed innovative pilot projects merging Arts and Academics, which were ultimately cited by, then, First Lady Hillary Clinton as a National Model for Arts Education.
Lonnie Graham
Lonnie Graham

Lonnie Graham is a Pew Fellow and Professor at Pennsylvania State University. He is former director of Photography at Manchester…

Lonnie Graham is a Pew Fellow and Professor at Pennsylvania State University. He is former director of Photography at Manchester Craftsmen’s Guild in Pittsburgh, Pennsylvania, an urban arts organization…

Lonnie Graham is a Pew Fellow and Professor at Pennsylvania State University. He is former director of Photography at Manchester Craftsmen’s Guild in Pittsburgh, Pennsylvania, an urban arts organization dedicated to arts…

Mehgan Abdel-Moneim
Mehgan Abdel-Moneim
The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for viewers, but the essence of the elements and ambiguity demand individual interaction with each painting. Layering is both revealing and concealing, creating a balanced tension and suspension which is really what painting is for me. I use the elements to speak for me and I wish to open doors to new dialogue within and between viewers.
Kelly Gadsby
Kelly Gadsby

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for…

Laura Demme
Laura Demme
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