Call for Submissions: Frame & Frequency VI

Call for Submissions: Frame & Frequency VI

This Deadline Expired: Sunday, April 5, 2020

Call for Submissions: Frame & Frequency VI


Ends on April 5, 2020, $5.00 USD
Frame & Frequency is an ongoing International Film & Video Art Screening Series presented by VisArts located in Rockville, Maryland (just outside of Washington DC) that highlights artists whose new media, experimental film, and video works explore contemporary visual culture, and presents an intimate panorama of the variety and breadth of video art in artistic practice today.

This year’s edition will take the form of an Experimental Short Film & Video Festival during the Rockville Arts Festival May 2nd & 3rd.

Frame & Frequency aims to present a diverse group of artists representing multi-generational and cultural backgrounds, nationalities and personal histories while demonstrating the artists’ impressive command of video and new media technologies.

Deadline for submissions is April 5, 2020

All selected artists will receive $50 screening fees

Festival awards:

1st Place: $300

2nd Place: $200

3rd Place: $100

Submission specifications:

Video: You may submit up to 3 works. Videos must be in .mp4 file format. The maximum length of 15 minutes. Upload files below through our online platform or provides Vimeo links for video previews. All foreign language moving image artworks must have English subtitles.
Resume/CV
Artist Bio (100-word max.)
Artist Statement (100 words max.)
$5 application fee
Selected artists will receive screening fees for participation

About VisArts
Transforming individuals and communities through the visual arts. From our beginning in 1987 as Rockville Arts Place operating in a converted garage to our current contemporary, state of the art facility in Rockville Town Square, VisArts has served local residents, students, art lovers, professional artists and others with an interest in the arts. Each year, VisArts welcomes more than 30,000 visitors through our doors to visit one of our four galleries, observe our studio artists on our second floor Artist Concourse, or to participate in art education classes, camp programs, and special events in our Buchanan Room.

For previous projects and submissions please visit: https://visarts.submittable.com/submit/151007/call-for-submissions-frame-frequency-vi

Russ Little
Russ Little
Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed multi-disciplinary exhibiting visual artist.
Pete Checchia
Pete Checchia

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed…

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed multi-disciplinary exhibiting visual artist.…

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed multi-disciplinary exhibiting visual artist.…

Something magical happens when Sally immerses herself within color and movement. She considers herself a lifelong artist, expressing herself through various media, including acrylics, works on paper, collage, mixed media, and photography.
Sally K. Eisenberg
Sally K. Eisenberg

Something magical happens when Sally immerses herself within color and movement. She considers herself a lifelong artist,…

Something magical happens when Sally immerses herself within color and movement. She considers herself a lifelong artist, expressing herself through various media, including acrylics, works on paper, collage,…

Something magical happens when Sally immerses herself within color and movement. She considers herself a lifelong artist, expressing herself through various media, including acrylics, works on paper, collage, mixed media,…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for viewers, but the essence of the elements and ambiguity demand individual interaction with each painting. Layering is both revealing and concealing, creating a balanced tension and suspension which is really what painting is for me. I use the elements to speak for me and I wish to open doors to new dialogue within and between viewers.
Kelly Gadsby
Kelly Gadsby

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for…

Alan Lankin's paintings, acrylic on canvas, are abstract explorations of color and shape, line and mass, movement and balance.
Alan Lankin
Alan Lankin

Alan Lankin's paintings, acrylic on canvas, are abstract explorations of color and shape, line and mass, movement and balance.…

Alan Lankin's paintings, acrylic on canvas, are abstract explorations of color and shape, line and mass, movement and balance. …

Alan Lankin's paintings, acrylic on canvas, are abstract explorations of color and shape, line and mass, movement and balance. …

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