Call to Artists – Ocala Outdoor Sculpture Competition

Call to Artists – Ocala Outdoor Sculpture Competition

This Deadline Expired: Saturday, September 30, 2017

The City of Ocala in partnership with the Appleton Museum of Art, Fine Arts For Ocala, and Marion Cultural Alliance is accepting submissions from artists working in North America to participate in the Fourth Ocala Outdoor Sculpture Competition. Ten works will be selected for a 20-month exhibition at Tuscawilla Park in Ocala, FL. Best of Show, Second Place, Honorable Mention, and People’s Choice awards will be selected. Total Awards: $24,000. Artists must be 18 or older to enter.
For entry Guidelines and more information, visit www.ocalafl.org/outdoorsculpture. Entries may be submitted via email to Sculpture@ocalafl.org or mailed to: Ocala Outdoor Sculpture Competition, 828 NE 8th Ave. Ocala, FL. 34470.

Noah Baumgartel is an artist based in Philadelphia PA who primarily specializes in oil painting, ink painting, and photography. His subjects are both natural and artificial landscapes executed in varying degrees of abstraction.
Noah Boone
Noah Boone

Noah Baumgartel is an artist based in Philadelphia PA who primarily specializes in oil painting, ink painting, and photography.…

Noah Baumgartel is an artist based in Philadelphia PA who primarily specializes in oil painting, ink painting, and photography. His subjects are both natural and artificial landscapes executed in varying…

Noah Baumgartel is an artist based in Philadelphia PA who primarily specializes in oil painting, ink painting, and photography. His subjects are both natural and artificial landscapes executed in varying degrees of abstraction.…

Tyler Kline's work documents the arrival of the Chthulucene epoch: post-Anthropocene, tentacular, multi-optic, and multi-specied.
Tyler Kline
Tyler Kline

Tyler Kline's work documents the arrival of the Chthulucene epoch: post-Anthropocene, tentacular, multi-optic, and multi-specied.…

Tyler Kline's work documents the arrival of the Chthulucene epoch: post-Anthropocene, tentacular, multi-optic, and multi-specied.…

Tyler Kline's work documents the arrival of the Chthulucene epoch: post-Anthropocene, tentacular, multi-optic, and multi-specied.…

Mixed media artist exploring both abstract and representational compositions of cityscapes, often rendered through the use of pattern, line, and gradation.
Justin Rubich
Justin Rubich

Mixed media artist exploring both abstract and representational compositions of cityscapes, often rendered through the use…

Mixed media artist exploring both abstract and representational compositions of cityscapes, often rendered through the use of pattern, line, and gradation.…

Mixed media artist exploring both abstract and representational compositions of cityscapes, often rendered through the use of pattern, line, and gradation.…

Andrea Lyons'  work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as part of the subject of the painting. The connection of wood as part of the structure of the house and also part of the tree form. The layers of the bark of the tree as related to the layers of skin. The correlation of flesh to wood and other building materials.
Andrea Lyons
Andrea Lyons

Andrea Lyons' work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as…

Andrea Lyons' work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as part of the subject of the painting. The connection of wood as part of the structure…

Andrea Lyons' work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as part of the subject of the painting. The connection of wood as part of the structure of the house and…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

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