Citizen’s Eye – A Kaleidoscope of Nature Call for Photographs

Citizen’s Eye – A Kaleidoscope of Nature Call for Photographs

This Deadline Expired: Sunday, January 3, 2021

“Citizen’s Eye” is a photo album of the surprising miracles of nature with images taken during the pandemic. All submissions are curated into a kaleidoscopic display, presented both in the Schuylkill Center’s gallery and online on its website. Free and open to everyone of all ages and skill levels, they invite you to choose and share your favorite photograph or snapshot of an encounter with nature, captured during the pandemic. The exhibition will be on view from January 21 to March 21, 2021. A virtual opening reception will take place on Thursday, January 21 from 7–8 pm. For more information, go to: Citizen’s Eye a Kaleidoscope of nature

Submit here

Patricia Ingersoll

Acrylic and watercolor grids and overlapping lines, gestured brush strokes and bold color are the first impressions when…

Acrylic and watercolor grids and overlapping lines, gestured brush strokes and bold color are the first impressions when seeing the new work by Patricia Ingersoll. Ingersoll continues her studies of the…

Acrylic and watercolor grids and overlapping lines, gestured brush strokes and bold color are the first impressions when seeing the new work by Patricia Ingersoll. Ingersoll continues her studies of the merging of organic…

Marilyn MacGregor
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

Lee Lippman
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

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