Constructed Visions III

Constructed Visions III

This Deadline Expired: Friday, May 1, 2020

Constructed Visions III is a national juried exhibition seeking artisans (object makers) of 3D or 2D contemporary fine craft or sculpture that highlight process-driven methods. The artistic product may be functional or nonfunctional, but the process, technique, and material must align with the intent or content of the piece. The St. Louis Artists’ Guild seeks artwork in wood, metal, paper, fiber, glass, clay, jewelry, encaustics, and printmaking as well as non-traditional materials.

Juror: Casey Whittier

Casey Whittier received her BFA from the Kansas City Art Institute and MFA from the University of Colorado Boulder. Her work is often born from one of the following experiences: an indescribable feeling of excitement; a nagging contradiction of desire; a need to share something that she cannot yet explain; an obsession; a question or series of questions; a desire to respond to or reflect on a thought, feeling, or event; recognition of something poignant or absurd; misunderstandings.

Utilizing a variety of forming methods in glass and clay, Whittier reinterprets objects from her daily experience, unites the landscapes of her reality with the landscapes of daydreams, exploits the visceral qualities of the materials, and ponders the power of shared experience. The physical impressions that come through rolling, tearing, squishing, dipping, pushing, pinching, molding, casting, and scratching become representations of touch, of thought, of time spent.

Whittier is an advocate for community engagement through the arts. She teaches ceramics social practice at the Kansas City Art Institute. Whittier works from her home studio and serves as Vice President for Artaxis.org. Her work can be found at www.caseywhittier.com and www.palmpetals.com.

Patti Dougherty (Painting)

In my years as a visual artist I have chosen symbolic forms that are both universal and personal to express the idea of “time.”…

In my years as a visual artist I have chosen symbolic forms that are both universal and personal to express the idea of “time.” Often I use nests, eggs, marine creatures, and one-celled organisms. They…

In my years as a visual artist I have chosen symbolic forms that are both universal and personal to express the idea of “time.” Often I use nests, eggs, marine creatures, and one-celled organisms. They are symbols for natural…

Gail Morrison-Hall

Gail Morrison-Hall finds inspiration in old buildings, Victorian Gingerbread architecture, a city or country she's traveled…

Gail Morrison-Hall finds inspiration in old buildings, Victorian Gingerbread architecture, a city or country she's traveled to, medieval manuscripts, the colors and patterns in the natural world, a quote,…

Gail Morrison-Hall finds inspiration in old buildings, Victorian Gingerbread architecture, a city or country she's traveled to, medieval manuscripts, the colors and patterns in the natural world, a quote, phrase, a question…

Barbara Straussberg

Her acrylic paintings are included in museum and corporate collections such as the Biggs Museum of American Art, Fox Rothschild,…

Her acrylic paintings are included in museum and corporate collections such as the Biggs Museum of American Art, Fox Rothschild, and Brandywine Realty Company.…

Her acrylic paintings are included in museum and corporate collections such as the Biggs Museum of American Art, Fox Rothschild, and Brandywine Realty Company.…

Melinda Steffy

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human experience. Melinda…

Anne D. Marble
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