Create! Magazine Call for Artists

Create! Magazine Call for Artists

This Deadline Expired: Sunday, July 31, 2022

Print Issue #34 | Call For Art and Prizes

Artists are invited to submit their work to a new juried call for entries and prizes for the Create! Magazine Print Issue #34. Create! is proud to present their incredible guest curator Pegah Kargar, founder of Repaint History.

In addition, they will be giving out three awards to artists selected by our curator.

Art Prizes:
1st place: $1000
2nd place: $500
3rd place: $250

Guest Curator: Pegah Kargar, founder of Repaint History

‍Pegah Kargar is the founder of Repaint History, a leading organization founded in 2018 to tackle the existing gender gap in the art world and advance the career of contemporary women and non-binary artists by focusing on providing access to resources & services, funding and community as well as working directly with museums and galleries globally to increase the representation of women artists in the art market. She has been highlighted and profiled as a key advocate for female artists and has championed their work to be acquired and/or represented by museums and galleries across the world. In partnership with 8 other leading organizations she has launched the Fair Art 2030 initiative, a pledge project for museums and galleries to address gender equality and race representation by 2030 in keeping with the UN’s Sustainable Development Goals (UNSDG’). In partnership with ArtGirlRising she is currently working on launching Weekly Rise, a platform to connect women & non-binary artists with opportunities in the art world.

Learn more here and submit here

Stephanie Rogers is an InLiquid artist member.
Stephanie Rogers
Stephanie Rogers

Stephanie Rogers is an InLiquid artist member.…

Stephanie Rogers is an InLiquid artist member.…

Stephanie Rogers is an InLiquid artist member.…

Rebecca Kelly
Rebecca Kelly
I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Marguerita Hagan
Marguerita Hagan
Thomas Murray
Thomas Murray
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