Dek Unu Magazine – April 2019 Edition

Dek Unu Magazine – April 2019 Edition

This Deadline Expired: Wednesday, March 20, 2019

Dek Unu Magazine publishes solo fine photoart portfolios monthly online themed and curated by each artist alone. Dek Unu seeks lens-based work from artists whose images show mastery of craft and mature artistic vision. Well-made images that “hang together” as a collection are preferred. International submissions are warmly encouraged.

Submit portfolios of 11 web-resolution images, along with a cv/bio, and a 500 word (max) artist’s statement to describe the work. The magazine is published in English and all correspondence with the production staff is in English. Please stay away from gratuitous violence or straight up porn; otherwise, museum standards re: nudity, political speech, and aesthetic adventure apply.

The deadline for this call is March 20, 2019. After the editorial staff selects an artist for the issue, the featured artist will be interviewed for publication. Please see back issues for a sense of the possibilities related to the interview.

Dek Unu Magazine is a non-profit, non-advertising publication. There is no fee to submit and no pay. Features are extensively promoted on arts-interest social media.

To see the current issue and to review back issues, visit https://www.dekunumag.com. Complete guidelines for submission are at https://www.dekunumag.com/submit.
Legalese related to publication is at https://www.dekunumag.com/terms-of-publication

All submissions will be reviewed and considered; all respondents will be notified as soon after deadline as humanly possible.

Solo exhibition of selected artist for the month online. Images are used to promote the magazine and the work of the artist on other arts-interest websites and social media pages.

Mallary Johnson
Mallary Johnson
Howard Traivers
Howard Traivers
Andrea Lyons'  work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as part of the subject of the painting. The connection of wood as part of the structure of the house and also part of the tree form. The layers of the bark of the tree as related to the layers of skin. The correlation of flesh to wood and other building materials.
Andrea Lyons
Andrea Lyons

Andrea Lyons' work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as…

Andrea Lyons' work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as part of the subject of the painting. The connection of wood as part of the structure…

Andrea Lyons' work is about the home and the materials that are symbolic of it. I have used wood both to paint on and as part of the subject of the painting. The connection of wood as part of the structure of the house and…

An InLiquid member artist with work in painting.
Favi Dubo
Favi Dubo

An InLiquid member artist with work in painting.…

An InLiquid member artist with work in painting.…

An InLiquid member artist with work in painting.…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images. There is a compelling irony as I create symbolic toys, which ask to be touched and manipulated, from glass, an extremely fragile material. I manipulate glass, recycle and integrate it with well-worn artifacts from the past, which are often perceived as useless in today's culture. This gives discarded items renewed purpose. As we interact tentatively with these objects they take us back to our most early memories while connecting us to other societies and eras.
Paula Mandel
Paula Mandel

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images.…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images. There is a compelling…

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