Dek Unu Magazine – February 2019

Dek Unu Magazine – February 2019

This Deadline Expired: Sunday, January 20, 2019

Dek Unu Magazine calls for portfolios of fine art photography for its February edition. One solo artist and artist interview per month, themed and curated by the artist alone with extensive promotion of artist features on web and social media. Non-profit, non-advertising, respectful and respectable place for adventurous, accomplished photography.
Never a fee to submit, always free online.

Prospectus: https:/www.dekunumag.com/submit

Email: dekunumag@gmail.com

Ellen Rosenholtz’s graphite on paper series explores native flora and fauna of New Jersey. The work looks at the profound beauty of natural forms as it exists within animals and plants. The multiplicity of images underscore the interconnection of living systems, while geometric patterning enable the viewer to identify each of the species through repetition of form.
Ellen Rosenholtz
Ellen Rosenholtz

Ellen Rosenholtz’s graphite on paper series explores native flora and fauna of New Jersey. The work looks at the profound…

Ellen Rosenholtz’s graphite on paper series explores native flora and fauna of New Jersey. The work looks at the profound beauty of natural forms as it exists within animals and plants. The multiplicity…

Ellen Rosenholtz’s graphite on paper series explores native flora and fauna of New Jersey. The work looks at the profound beauty of natural forms as it exists within animals and plants. The multiplicity of images underscore…

Richard King
Richard King
D’nae Harrison
D’nae Harrison
DeMelas/Checchia the collaborative work of InLiquid artist members Pete Checchia and Anthony DeMelas.
DeMelas / Checchia
DeMelas / Checchia

DeMelas/Checchia the collaborative work of InLiquid artist members Pete Checchia and Anthony DeMelas.…

DeMelas/Checchia the collaborative work of InLiquid artist members Pete Checchia and Anthony DeMelas.…

DeMelas/Checchia the collaborative work of InLiquid artist members Pete Checchia and Anthony DeMelas.…

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate I changed my painting method and style. It is an abstraction using crosshatching, a technique usually reserved for rendering form and depth I have created an abstract flat image more akin to topography verging on minimalism. The linear hatch marks are made on a matte gradiated background which focuses the viewer on the duality of surface and color. These works are a meditation on labor and time: of coming together and the borders that separate us. The marks are not only creating an aesthetic pattern they are literally the marking of art, and the work that has gone into the piece.
Brian Palmieri
Brian Palmieri

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate…

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate I changed my painting method and style. It is an abstraction using crosshatching,…

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate I changed my painting method and style. It is an abstraction using crosshatching, a technique…

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