Environmental Art and Communications Intern – Summer 2019

Environmental Art and Communications Intern – Summer 2019

This Deadline Expired: Tuesday, March 19, 2019

The Schuylkill Center for Environmental Education, an urban environmental education center in the Roxborough neighborhood of Philadelphia, seeks an intern to support both the Environmental Art Department’s exhibition program and the Center’s marketing and public relations efforts during summer 2019.

The intern will split their time between the Communications and Environmental Art departments, offering a broad range of exposure and experience to a motivated and engaged student. The intern will gain a keen education in visual arts administration, the field of environmental art, and the power of art to connect people with nature and educate on environmental topics. The intern will concurrently gain experience in nonprofit marketing and communications, including mission-driven communications, and graphic design. This is an excellent position to gain foundational office and research skills within a dynamic, unique, and successful not-for-profit organization. A $100/month stipend is offered.

Please see link for additional details.
http://www.schuylkillcenter.org/pdfs/2019/jobs/2019-Summer-Art-and-Comms-internship.pdf

About the Schuylkill Center:
The Schuylkill Center, the first environmental education center in a large American city, was founded in 1965. With diverse educational programming offered to all ages, preschool through graduate school and beyond, 36,000 people participate in the Center’s programming annually. In addition, the center offers the nation’s most ambitious environmental art program housed in a nature center and opened the state’s first Nature Preschool in September 2013.

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Barbara Schulman
Barbara Schulman
Her acrylic paintings are included in museum and corporate collections such as the Biggs Museum of American Art, Fox Rothschild, and Brandywine Realty Company.
Barbara Straussberg
Barbara Straussberg

Her acrylic paintings are included in museum and corporate collections such as the Biggs Museum of American Art, Fox Rothschild,…

Her acrylic paintings are included in museum and corporate collections such as the Biggs Museum of American Art, Fox Rothschild, and Brandywine Realty Company.…

Her acrylic paintings are included in museum and corporate collections such as the Biggs Museum of American Art, Fox Rothschild, and Brandywine Realty Company.…

Diane Szczepaniak
Diane Szczepaniak
Sharon Wensel
Sharon Wensel
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