F R A C T U R E D juried exhibition submissions

F R A C T U R E D juried exhibition submissions

This Deadline Expired: Sunday, January 12, 2020

photo-eye in Santa Fe, New Mexico is celebrating 40 years with their first-ever Open Call. The gallery seeks photographic submissions for F R A C T U R E D, a juried exhibition to take place in their physical gallery and online.

Accepting submission of photographic works exploring the concept of “fractured.” Artists are encouraged to be creative in their interpretation of the theme.

Today, our world can seem divided in a multitude of ways. Between debates over the climate emergency, corporations literally breaking our earth with fracking, families split at national borders, and our divided political systems, societal unity and harmony feel like a distant hope. Even on a personal level, humans have the capacity to feel fissured, split, and incomplete in our thoughts and emotions. Shifts in perspective, breaks from tradition, and experiences of loss can all encompass the idea of the fracture. This concept can have both positive and negative connotations. However, acknowledging that something is broken is the first step in working toward healing. How can art be a platform for expressing, and ultimately bridging these personal and social divides? What role does the photographer play in observing, documenting, and healing the fractured landscapes around and within us all?

This exhibition will be juried by the photo-eye Gallery staff. The gallery is looking for new work, and submissions to the open call are also considered for future representation.

Submitted photographs may come from photojournalistic or documentary projects, commercial assignments, as well as photographs made as expressive artworks.

photo-eye is only accepting submissions through CaFE here: https://artist.callforentry.org/festivals_unique_info.php?ID=7253

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate I changed my painting method and style. It is an abstraction using crosshatching, a technique usually reserved for rendering form and depth I have created an abstract flat image more akin to topography verging on minimalism. The linear hatch marks are made on a matte gradiated background which focuses the viewer on the duality of surface and color. These works are a meditation on labor and time: of coming together and the borders that separate us. The marks are not only creating an aesthetic pattern they are literally the marking of art, and the work that has gone into the piece.
Brian Palmieri
Brian Palmieri

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate…

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate I changed my painting method and style. It is an abstraction using crosshatching,…

My recent works are a break from the painterly images I have made in the past few years. In a search for something more deliberate I changed my painting method and style. It is an abstraction using crosshatching, a technique…

Abstract painting
Cathleen Hughes
Cathleen Hughes

Abstract painting…

Abstract painting…

Abstract painting…

Han Wang
Han Wang
My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images. There is a compelling irony as I create symbolic toys, which ask to be touched and manipulated, from glass, an extremely fragile material. I manipulate glass, recycle and integrate it with well-worn artifacts from the past, which are often perceived as useless in today's culture. This gives discarded items renewed purpose. As we interact tentatively with these objects they take us back to our most early memories while connecting us to other societies and eras.
Paula Mandel
Paula Mandel

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images.…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images. There is a compelling…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human experience. Melinda Steffy’s RUINATION DAY series (acrylic on wood panel) deconstructs folk and blues songs that reference the date April 14, which is when Lincoln was shot, the Titanic hit the iceberg, and the Black Sunday dust storm devastated the Midwest. Melinda Steffy’s BACH PROJECT series (watercolor on paper) converts classical music by J.S. Bach and Bela Bartok into grids and pie charts. Rather than hear one note after the other through time, the paintings show all of the notes and rhythms simultaneously on one visual plane.
Melinda Steffy
Melinda Steffy

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human experience. Melinda…

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