Full-Time Mold Maker Wanted

Full-Time Mold Maker Wanted

This Deadline Expired: Thursday, October 31, 2019

Mold Maker needed for Drippy Pots, a busy production ceramics studio in the Frankford neighborhood of Philadelphia. Candidate must have extensive experience in multi-part plaster moldmaking for ceramic production. Experience with urethane + silicone molds is preferred, but not required.

– Candidate will be asked to provide images of previous plaster work prior to interview.
– Work schedule is Monday – Friday, 10:00 – 6:00, with a paid 30 minute staff lunch with food provided.
– Candidate must be able to reliably commute to Frankford, Philadelphia.
– 2 weeks paid time off anually
– Salary range: $30,000 – $40,000 / year dependent on experience

To Apply:

Applications should be emailed to hello@brianginiewski.com and must contain:

– Resume
– Contact info
– Images of previous plaster mold work

What elevates his work from mere craftsmanship is his visionary outlook. Rearranging objects and incorporating an iconography of myths, fairy tales, and personal idiosyncrasies, Warren Muller exudes an envious agility.  Motion, change and improvisation are implied like a glimpse of chaos captured and frozen for a split-second.
Warren Muller
Warren Muller

What elevates his work from mere craftsmanship is his visionary outlook. Rearranging objects and incorporating an iconography…

What elevates his work from mere craftsmanship is his visionary outlook. Rearranging objects and incorporating an iconography of myths, fairy tales, and personal idiosyncrasies, Warren Muller exudes an…

What elevates his work from mere craftsmanship is his visionary outlook. Rearranging objects and incorporating an iconography of myths, fairy tales, and personal idiosyncrasies, Warren Muller exudes an envious agility. Motion,…

Abstract painting
Cathleen Hughes
Cathleen Hughes

Abstract painting…

Abstract painting…

Abstract painting…

Leslie Atik
Leslie Atik
Stuart Lehrman's  practice involves dialogue between order and chaos. Constantly experimenting with the physical properties of paint,  between adding and subtracting, making and unmaking, working to a place where he loses control of the painting and then struggling back to achieve the right balance between wild spontaneity and emotional restraint.
Stuart Lehrman
Stuart Lehrman

Stuart Lehrman's practice involves dialogue between order and chaos. Constantly experimenting with the physical properties…

Stuart Lehrman's practice involves dialogue between order and chaos. Constantly experimenting with the physical properties of paint, between adding and subtracting, making and unmaking, working to a…

Stuart Lehrman's practice involves dialogue between order and chaos. Constantly experimenting with the physical properties of paint, between adding and subtracting, making and unmaking, working to a place where he loses…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already held.
Daniel Dallmann
Daniel Dallmann

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already held.…

previous arrow
next arrow