Heritage & Hindsight Juried Exhibition / Calls & Submissions

Heritage & Hindsight Juried Exhibition / Calls & Submissions

This Deadline Expired: Monday, November 25, 2019

Throughout the year of 2020 all of the Kirkland Arts Center exhibition schedule will tie back into the theme of Heritage & Hindsight. To kick off the year they’ll begin with an examination of where we are now within our present moment in history. As we stand on the threshold of the present we ask “How did we get here, and what is the future going to look like with the foundation we’ve laid?” Climate change, political unrest, scientific and technological progress, gender and racial equity, artificial intelligence and connectivity. What lead us to this moment in time and how will it continue to lead us? Where are we taking it? Two exhibiting artists will be chosen for $150 Juror’s Choice Awards and one artist will also receive a People’s choice award of a small solo exhibition in 2021.

Submissions for this exhibition should address, in some way, where we are in this moment in history, how we got here, and/or where we might be heading.

There is a $20 application fee per artist, and each artist may submit up to 3 entries.

All media accepted, though the Kirkland Arts Center has limited resources for digital media. Digital artists should contact exhibitions@kirklandartscenter.org if they have questions.

Learn more and apply here.

Wendee enjoys using symbolism, juxtaposition, and irony to create a narrative in her art. She compares & contrasts the identities of women in her work.
Wendee Yudis
Wendee Yudis

Wendee enjoys using symbolism, juxtaposition, and irony to create a narrative in her art. She compares & contrasts the identities…

Wendee enjoys using symbolism, juxtaposition, and irony to create a narrative in her art. She compares & contrasts the identities of women in her work.…

Wendee enjoys using symbolism, juxtaposition, and irony to create a narrative in her art. She compares & contrasts the identities of women in her work.…

Laurie Beck Peterson
Laurie Beck Peterson
I am an abstract artist represented by BeatyAmerican in Olde Kensington, Philadelphia.  My paintings include a series of Arctic landscapes which are based on images of arctic glaciers, tundra, and sea ice mainly in Greenland and Iceland.  I have been selected as the featured artist for the BeatyAmerican new space with NEXTFAB at 1800 American Street, Philadelphia.  I am drawn to the elements of the Arctic sea, land, and sky and the interface among these bodies.  Decisions are made what features and elements will remain and what will be discarded, reflecting a rapidly changing landscape yet still beautiful.
I work with oil paint, wet on dry, on wood panels with cradled frames establishing texture and depth using brushes, palette knives, oil sticks, and oil pens.  Completed paintings are professionally framed and ready to hang.
Earlier work focused on urban landscapes, refineries, bridges, buildings, other structures, and geometric patterns of developed lands and built environments.
Karen Stabenow
Karen Stabenow

I am an abstract artist represented by BeatyAmerican in Olde Kensington, Philadelphia. My paintings include a series of…

I am an abstract artist represented by BeatyAmerican in Olde Kensington, Philadelphia. My paintings include a series of Arctic landscapes which are based on images of arctic glaciers, tundra, and sea…

I am an abstract artist represented by BeatyAmerican in Olde Kensington, Philadelphia. My paintings include a series of Arctic landscapes which are based on images of arctic glaciers, tundra, and sea ice mainly in Greenland…

TangenT is an InLiquid artist member.
TangenT
TangenT

TangenT is an InLiquid artist member.…

TangenT is an InLiquid artist member.…

TangenT is an InLiquid artist member.…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for viewers, but the essence of the elements and ambiguity demand individual interaction with each painting. Layering is both revealing and concealing, creating a balanced tension and suspension which is really what painting is for me. I use the elements to speak for me and I wish to open doors to new dialogue within and between viewers.
Kelly Gadsby
Kelly Gadsby

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for…

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