INK IT – CALL FOR ENTRIES

INK IT – CALL FOR ENTRIES

This Deadline Expired: Tuesday, January 10, 2017

Deadline:  January 8, 2017 (11:59 pm EST)

BlackRock Center for the Arts is now accepting entries for the juried exhibition “INK IT: Contemporary Print Practices” to be presented February 11 – March 11, 2017 in the Kay Gallery. Juried by internationally recognized artist, curator, and educator Helen Frederick, the exhibit will highlight current fine art print practices by featuring the best graphic work by artists in the region who choose traditional and nontraditional printmaking processes to communicate images and words in multiple. Works by selected artists will employ techniques which include woodcut, linocut, lithography, engraving, etching, mezzotint, screenprinting, letterpress, monoprint, monotype, collagraph, chine collé, solar plate, digital printing, along with current innovations. A solo exhibition in the Terrace Gallery at BlackRock will be awarded to one artist selected by the juror. Artists age 18 and older who live, work, or attend school in Maryland, Washington, DC, Virginia, Pennsylvania, Delaware, and West Virginia are eligible to submit entries of up to three works completed within the past three years.

Entry Fee:

Professional Artist: $20 (up to 3 works per entry)

Student Artist: $10 (up to 3 works per entry)

 

Submit entries online: www.blackrockcenter.submittable.com/submit

ink-it-call-for-entry-at-blackrock-low-res 

Gillian Pokalo is an artist from the Philadelphia area, whose original, architecture-inspired mono prints employ combinations of fine art printmaking and mixed media techniques with her silk screen photography of abandoned and forgotten buildings.
Gillian Pokalo
Gillian Pokalo

Gillian Pokalo is an artist from the Philadelphia area, whose original, architecture-inspired mono prints employ combinations…

Gillian Pokalo is an artist from the Philadelphia area, whose original, architecture-inspired mono prints employ combinations of fine art printmaking and mixed media techniques with her silk screen photography…

Gillian Pokalo is an artist from the Philadelphia area, whose original, architecture-inspired mono prints employ combinations of fine art printmaking and mixed media techniques with her silk screen photography of abandoned…

Golden Key Prints (Scott Holford)
Golden Key Prints (Scott Holford)
Whether you call him, Artist, Artisan, or Sculptor, Carving, in Wood, Marble and Ice, is Roger Wing's thing. Wing is comfortable with a Chainsaw for bigger stuff but prefers using hand tools like Chisels and Gouges. Wing's Larger than Life Woodcarvings adorn his Powelton village front porch, City Parks and Private Residences. His work has been seen at Ice Competitions around the world, Stone repairs on Historic Buildings and in Film.
Roger Wing
Roger Wing

Whether you call him, Artist, Artisan, or Sculptor, Carving, in Wood, Marble and Ice, is Roger Wing's thing. Wing is comfortable…

Whether you call him, Artist, Artisan, or Sculptor, Carving, in Wood, Marble and Ice, is Roger Wing's thing. Wing is comfortable with a Chainsaw for bigger stuff but prefers using hand tools like Chisels…

Whether you call him, Artist, Artisan, or Sculptor, Carving, in Wood, Marble and Ice, is Roger Wing's thing. Wing is comfortable with a Chainsaw for bigger stuff but prefers using hand tools like Chisels and Gouges. Wing's…

Andrew Conti
Andrew Conti
Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor.  She approaches her work like a lab experiment, a set of steps to see what will happen. Her painting process usually begins with a thick underpainting using a carefully chosen color (a color of influence!) which is left intentionally visible at the edges.
Phyllis Anderson
Phyllis Anderson

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches…

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches her work like a lab experiment, a set of steps to see what will happen.…

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches her work like a lab experiment, a set of steps to see what will happen. Her painting process…

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