InLiquid Peer Crit #1 Call for Submissions

InLiquid Peer Crit #1 Call for Submissions

This Deadline Expired: Wednesday, June 3, 2020

As a benefit to our members, InLiquid is working on a series of group critiques and professional development workshops. We are excited to roll out the first of this series: a group critique held over Zoom.

To encourage connection within the Philadelphia arts community during this time, InLiquid will start holding peer crits over Zoom. Use this opportunity to take yourself and your artistic practice outside of isolation, virtually of course!

While the Zoom critique will be open to everyone, submissions are open to InLiquid Members only (we are currently accepting applications on a rolling basis). We ask that you submit one work that is currently in progress. Be prepared if your work is chosen to speak to the work and your practice for 5 minutes or less.

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed multi-disciplinary exhibiting visual artist.
Pete Checchia
Pete Checchia

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed…

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed multi-disciplinary exhibiting visual artist.…

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed multi-disciplinary exhibiting visual artist.…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Buy Shaver is a visual artist whose diverse body of work includes paintings on canvas, works on paper and wall paintings. Discover his unique work on Inliquid.
Buy Shaver
Buy Shaver

Buy Shaver is a visual artist whose diverse body of work includes paintings on canvas, works on paper and wall paintings.…

Buy Shaver is a visual artist whose diverse body of work includes paintings on canvas, works on paper and wall paintings. Discover his unique work on Inliquid.…

Buy Shaver is a visual artist whose diverse body of work includes paintings on canvas, works on paper and wall paintings. Discover his unique work on Inliquid.…

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product of a collective memory that I share with the viewer.
Joe Sasarak
Joe Sasarak

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product…

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product of a collective memory that I share with the viewer. …

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product of a collective memory that I share with the viewer. …

Jennifer Lynn Manzella
Jennifer Lynn Manzella
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