International Call for Entries | Landscape 2019 | In Relation to the Land

International Call for Entries | Landscape 2019 | In Relation to the Land

This Deadline Expired: Sunday, May 19, 2019

LANDSCAPE 2019 | IN RELATION TO THE LAND
Theme: All artist renditions on the Landscape theme, genres, capture types and photographic processes are eligible for selection by the juror.

JUROR |DR. REBECCA SENF
Dr. Rebecca Senf is Chief Curator at the Center for Creative Photography and Norton Family Curator of Photography, a joint appointment between CCP and Phoenix Art Museum. Her B.A. in Art History is from the University of Arizona; her M.A. and Ph.D. were awarded by Boston University. In Boston she worked on the Museum of Fine Arts’ major exhibition Ansel Adams from The Lane Collection, for which she co-authored the catalogue. In 2012, her book Reconstructing the View: The Grand Canyon Photographs of Mark Klett and Byron Wolfe was released by University of California Press; in 2017, her book To Be Thirteen, showcasing the work of Betsy Schneider, was published by Radius Press and Phoenix Art Museum. Her curatorial interests range from Modernist American to contemporary photography; she has curated exhibitions both large and small, in physical space and online.

Gwen Gunter
Gwen Gunter
The beauty of nature, the grit of the city; an angry song and a positive attitude. It’s the contrast of our surroundings and the complexity of everyday life that inspires the artwork of Jodi Cachia.
Jodi Cachia
Jodi Cachia

The beauty of nature, the grit of the city; an angry song and a positive attitude. It’s the contrast of our surroundings…

The beauty of nature, the grit of the city; an angry song and a positive attitude. It’s the contrast of our surroundings and the complexity of everyday life that inspires the artwork of Jodi Cachia. …

The beauty of nature, the grit of the city; an angry song and a positive attitude. It’s the contrast of our surroundings and the complexity of everyday life that inspires the artwork of Jodi Cachia. …

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece to the viewer . . . no matter
what materials I use is all important.
I use titles to emotionalize these abstract
pieces to help communicate a connection
between the individual and
the universal whole.

In the metal pieces I use recycled aluminum
printing press plates which I sand,
cut and glue onto wood panels, they are
about energy and light, patterns and
motion, all influenced by the microcosm
of life forms, biology, and a
hint of satire.
Dolores Poacelli
Dolores Poacelli

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece…

Ronald William Waite
Ronald William Waite
Carolyn Harper
Carolyn Harper
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