Open Call: 2021–2022 Winter Family Residency

Open Call: 2021–2022 Winter Family Residency

This Deadline Expired: Thursday, May 6, 2021

Apply online by May 5, 2021, midnight EST.

The 2021–2022 Winter Family Residency, through the Wassaic Project, open call is officially live.

Residencies are 1–8 weeks in length and applicants accepted through this program are considered full participants of our artist residency program. Residents receive a semi-private studio space(s), a private 4-bedroom house (all utilities included), access to our wood shop and kiln, staff support, and studio visits from artists and creative professionals.
The Wassaic Project broadly define “family” as a group of more than one individual where there is an in-house, and dependent, caregiving relationship. The Wassaic Project recognizes that artists who have caregiving relationships, as providers or recipients, often opt-out of peer community building for practical reasons. We aim to provide family accommodations which increase access to our residency program.

Examples of caregiving may include, but are not limited to:

The Wassaic Project cultivates and supports a community for emerging and professional contemporary artists, writers, and other creatives. Housed in historic, landmark buildings, the residency program offers between nine and thirteen artists each month the opportunity to live and work in the heart of a rural community. They seek artists working in a diverse range of media who want to produce, explore, challenge, and expand on their current art-making practices, while participating in a community-based arts organization. The Wassaic Project welcomes and values participants of all identities and backgrounds.

Programming

Two to three times per month, creative professionals will visit to give lectures and make one-on-one studio visits with our residents. Embedded critics, Adam and Lauren (of Ghost of a Dream), will lead group studio visits.

All artists are also invited to participate in a monthly evening of artist’s talks and presentations, and are encouraged to be available on the last Saturday of every month to participate in Open Studios program.

Fees, Fellowships, and Financial Assistance

The actual cost of each residency is $5,000 per month, which includes a semi-private studio, private bedroom, full use of our facilities (wood shop, print shop, and ceramics studio), visiting artist program, studio visits, insurance, and staff support. In an effort to serve and support emerging artists, we attempt to subsidize residencies for all individual artists who do not have other forms of support. Due to COVID-19 and facilitating a modified program — where each artist, collaborative team, or group of two or more artists receives a private residency house — the residency fee is $1,600 per month per family.

We offer up to $300 in need-based financial assistance to residents for whom it would be impossible to attend without financial support. Financial need is self-reported by artists in their applications. We ask that artists who are in a position to fully contribute towards the residency fee please do so.

Our Work and Family Fellowship also offers no-fee residencies and $500 honorariums to several family residents per year. In your application, please take some time to reflect on the ways in which care and caregiving, whatever those words mean to you, come through (or might come through) in your work. It’s okay if this isn’t something you’ve considered before. We think of this fellowship as a starting point towards building a future where artists shape the way society sees and values care.

Review Process

Applicants are evaluated by a review committee composed of Wassaic Project’s Co-Directors, Residency Director and professionals in the field. Residents are selected based on the quality of their work, commitment to their practice, and ability to interact positively with the community at large.

They’ll also be hosting an info session on April 21st and office hours on April 27th. Looking forward to seeing your applications!

For more details and information about the Wassaic Project, click here!

To apply, click here!

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images. There is a compelling irony as I create symbolic toys, which ask to be touched and manipulated, from glass, an extremely fragile material. I manipulate glass, recycle and integrate it with well-worn artifacts from the past, which are often perceived as useless in today's culture. This gives discarded items renewed purpose. As we interact tentatively with these objects they take us back to our most early memories while connecting us to other societies and eras.
Paula Mandel
Paula Mandel

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images.…

My interest in glass and found objects has allowed me to re-immerse myself in the world of toys, this time with a more mature twist. As I refer to my most sacred toys, I try to evoke universal images. There is a compelling…

Michael Grothusen is an Associate Professor of Sculpture at the University of the Arts in Philadelphia. His work has been exhibited locally, regionally and nationally including the Philadelphia Museum of Art, Philadelphia International Airport, the Kimmel Center for Performing Arts.
Michael Grothusen
Michael Grothusen

Michael Grothusen is an Associate Professor of Sculpture at the University of the Arts in Philadelphia. His work has been…

Michael Grothusen is an Associate Professor of Sculpture at the University of the Arts in Philadelphia. His work has been exhibited locally, regionally and nationally including the Philadelphia Museum…

Michael Grothusen is an Associate Professor of Sculpture at the University of the Arts in Philadelphia. His work has been exhibited locally, regionally and nationally including the Philadelphia Museum of Art, Philadelphia…

My primary medium is paper collage. I have explored many subjects over the years creating my own distinctive materials and searching for innovative ways to express each visual theme.
Florence Weisz
Florence Weisz

My primary medium is paper collage. I have explored many subjects over the years creating my own distinctive materials and…

My primary medium is paper collage. I have explored many subjects over the years creating my own distinctive materials and searching for innovative ways to express each visual theme. …

My primary medium is paper collage. I have explored many subjects over the years creating my own distinctive materials and searching for innovative ways to express each visual theme. …

Elissa Glassgold
Elissa Glassgold
Richard King
Richard King
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