Open Call: 319 2nd Floor Artist(s) in Residency / January – March, 2021

Open Call: 319 2nd Floor Artist(s) in Residency / January – March, 2021

This Deadline Expired: Wednesday, December 23, 2020

319 Building, 2nd Floor Galleries
Automat, Practice, Grizzly Grizzly, Marginal Utility, Pink Noise Projects

The five artist-run galleries on the 319 Building’s 2nd floor are announcing an open call for artists-in-residence in their spaces, starting January 15, 2021. The pandemic has made it difficult to safely present exhibitions in our spaces, and at the same time, many artists have been displaced from their studios due to the pandemic’s economic effects. In a time of isolation, we hope that making these spaces available gives inspiration and opportunity to realize new work, new ideas, and new (virtual) connections.

What constitutes a residency or a project is up to the artist. You may simply use the gallery as a space to work, a space to install, experiment, and document, or as space from which to perform or hold a virtual event. We plan to host a series of residencies starting January 15, 2021 with plans to continue the program until it becomes safer to resume exhibitions that are open to the general public.

– The application deadline is December 23, for January residencies
– Additional application deadlines will be posted for February and March residencies

Click the link to find out more and apply! https://pinknoiseprojects.com/2020/12/05/open-call-319-air/

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was introduced to a mixed race population that was very concerned with labeling and grouping people, the experience was unsettling. From that point, I had to think about race and culture and how they related to my daily performance.
Cara Susanne Roberts
Cara Susanne Roberts

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was introduced to a mixed…

Mallary Johnson
Mallary Johnson
Richard King
Richard King
Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing, to evoke a primal mode of communication.
Jacqueline Unanue
Jacqueline Unanue

Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing,…

Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing, to evoke a primal mode of communication.…

Jacqueline Unanue's current paintings series originated from my method of “calligraphic” painting: using spontaneous drawing, to evoke a primal mode of communication.…

Laurie Beck Peterson
Laurie Beck Peterson
previous arrow
next arrow