OPEN CALL | BEYOND HUMAN POWER

OPEN CALL | BEYOND HUMAN POWER

This Deadline Expired: Tuesday, December 15, 2020

Independent & Image Art Space (Chongqing, China) presents an online exhibition open call with the theme of “Beyond Human Power”.

ABOUT THE EXHIBITION THEME

Beyond Human Power

The continuous spread of the novel coronavirus and the emotions it has caused have become the most direct and vivid explanation of force majeure, something beyond the control of human power. In most cases, the first thing that people think of is ruthless nature. The virus is an invasion of aliens and yet is not caused by nature alone. Its development involves human economic and social activities. In the end, our bodies will inevitably suffer the most from the things beyond human power. We invite artists worldwide to use their unique artistic creations to make their voices heard in this particular period and context.

Learn more and apply here

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called golden age. Using their visual conventions, nostalgic aura, and narrative structure in combination with images borrowed from art history and other popular cultural sources, Borgen has developed a hybrid visual language which he uses in his digital prints and wall installations to make comment on topics ranging from historical, formal strategies of artmaking to issues within the current political and social discourse.
Matthew Borgen
Matthew Borgen

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called…

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called golden age. Using their visual conventions, nostalgic aura, and narrative…

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called golden age. Using their visual conventions, nostalgic aura, and narrative structure in combination…

Fran Lightman Gibson a Philadelphia painter working primarily with oil on canvas.
I attribute the source of my artistic inspiration to my love, fear, and awe of nature as it both represents and defines the tension and optimism of life. My “Take Any Road Series” encourages the viewer to have the confidence to experience life no matter how difficult or confusing, beautiful, or powerful. All of this exists with an underlying structure of assumptions.
I think we all see the world a little differently and feel our own experience uniquely.  I paint using what all of my senses have given to me as the experience.  When I paint the sky, I am feeling the wind, putting it to music in my head, remembering the smell of the chance of rain, tasting the air, seeing the clouds dance. 
Fran Lightman Gibson
Fran Lightman Gibson

Fran Lightman Gibson a Philadelphia painter working primarily with oil on canvas.
I attribute the source of my artistic…

Fran Lightman Gibson a Philadelphia painter working primarily with oil on canvas.
I attribute the source of my artistic inspiration to my love, fear, and awe of nature as it both represents and defines…

Fran Lightman Gibson a Philadelphia painter working primarily with oil on canvas.
I attribute the source of my artistic inspiration to my love, fear, and awe of nature as it both represents and defines the tension and optimism…

Catherine Passante
Catherine Passante
Diane Pieri is an InLiquid artist
Diane Pieri
Diane Pieri

Diane Pieri is an InLiquid artist…

Diane Pieri is an InLiquid artist…

Diane Pieri is an InLiquid artist…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

previous arrow
next arrow